A Quote by Johann Johannsson

I have a Yamaha YC-45D organ in my studio. It's actually Terry Riley's favorite keyboard, so if you find old clips of him on YouTube, he's usually playing one of these. — © Johann Johannsson
I have a Yamaha YC-45D organ in my studio. It's actually Terry Riley's favorite keyboard, so if you find old clips of him on YouTube, he's usually playing one of these.
I love Yamaha Clavinovas. I have them at home, in the studio and on tour with me. I find them ideal for all sorts of things: silent practice with headphones at home; writing; arranging and... just playing the blues!
I watched a bunch of clips - YouTube clips, because I couldn't bring myself to watch entire shows - of, you know, 'Kardashians' and that kind of thing.
I've always looked up to John Terry; he's a massive defender and a rock. His one-v-one defending and reading of the game have really educated me. I watch a lot of clips of him.
I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
I'm basically a keyboard player, so if it's got a keyboard on it, I'll give it a shot. I played a lot of organ in the early days. I can make a few chords on guitar, but that's about it.
Actually, because of new technologies, my full studio is on my laptop. And I have a little keyboard in my bag. I can make everything I do come from my laptop. Even when I go to a big studio, all I do is to plug in my laptops. That's they way I do it.
I have a church background. I've been playing piano and keyboard and organ all my life in church.
I don't know why, but there's something about YouTube that just makes it so awesome. You can go on there and find anything. There are actually really talented people on YouTube.
I think the Yamaha has a giant quality. When you combine the Yamaha with other organs, you get this crazy rectangular sound. It's kind of flat and thick.
For instance, my friend would never go on the show to air her dirty-laundry. But Tremont is outrageous! I've been watching a lot of clips of "The Jerry Springer Show" on YouTube (I can't tell you how many clips there are!) I get to witness these men going through the process to become women and what they're sharing. My character is pre-op. She's had the breast augmentation but still got "the goods" down there.
Parallels between classical and pop are not new. The whole San Francisco movement of John Cage and Terry Riley went hand in glove with what the Velvet Underground were doing.
Terry said he had this new kid and his wife didn't want to live in England. He wanted to tour. He hated being in the studio. Terry liked seeing various bars the world over and getting smashed out of his brain. He was a sort of latent Keith Moon.
When I was younger, I was a rave kid trapped inside a singer/songwriter's body. But I kind of figured my way out because I started making these really terrible beats on this Yamaha keyboard that my parents got me for my 10th birthday.
At the end of the playback of the take of "Like A Rolling Stone", or actually during the thing, Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy's not an organ player. And Dylan said, I don't care, turn the organ up, and that's really how I became an organ player.
No alcohol, Riley." She nodded at the screen. "How are you liking the twenty-first century?" Riley burped. "The Take That are most melodic. And God bless Harry Potter is all I can say. If not for him, all of London would have been consumed by the dark arts.
When I was 6 years old, I asked my parents for an organ. I don't have any idea why I wanted an organ.
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