A Quote by Johann Johannsson

To be honest, I don't particularly see myself as an Icelandic artist. I'm a European artist. — © Johann Johannsson
To be honest, I don't particularly see myself as an Icelandic artist. I'm a European artist.
I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.
I never considered myself an artist. I aspire to be an artist, but I never thought I had the depth or substance or gift to be an artist. I do think I have some talent, but it doesn't go as far as being an artist.
Being an artist doesn't mean that you're a good artist. That was the bargain I first made with myself: I'd say, I'm an artist, but I'm not really very good.
I don't think you have to earn your income as an artist to be an artist. But if you are an artist, then art is what you do, whether or not you're paid for doing it; it is what you do, not what you are. I regard artist not as a description of temperament but as a category of profession, of vocation.
Every artist gets asked the question, 'Where do you get your ideas?' The honest artist answers, 'I steal them.'
I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
There are a lot of artists who've said they'd like to work with me. To be honest, I'm not sure there is such a thing as an inappropriate artist. The trick is matching the artist with a story.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
I wouldn’t want to be labelled unless it was something much broader and inclusive such as an ecological artist or a visionary artist, but there’s a constraint in the definition of a feminist artist, you’re an artist and you’re a feminist.
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
Maybe my work looks a little crazy, a little insane, but I don't really see myself as a crazy artist or a shaman artist.
Having people around you that are honest with you, and having a team around you that can actually track and communicate where things are working and where they're not working, is really an invaluable asset to an artist's career. I just see it time and again, people who have no clue about that stuff. It's frustrating, and I see the frustration for them. It's a weird thing being an artist, trying to navigate the music business with little to no help.
I don't particularly consider myself just an artist. I'm a woman - I'm a human being.
Being an artist, I had an artist's instincts.You can see the picture before it's taken; then it's up to you to get the camera to see
I see the artist as a participant, a co-producer of reality. I do not see the artist as a person who sits at a distance and evaluates.
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