A Quote by Johann Johannsson
A lot of my music tends to combine electronics and orchestra.
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I basically love classical music. I love a lot of musicians playing together and the whole culture of that whether it's Indian or it's Western. But in India, I think it's limited to filler music unfortunately. That's one thing I want to push in India where we have the infrastructure of an orchestra where you play Indian melodies with an orchestra and something different for a universal audience. It requires a lot of work from me.
Simple molecules combine to make powerful chemicals. Simple cells combine to make powerful life-forms. Simple electronics combine to make powerful computers. Logically, all things are created by a combination of simpler, less capable components. Therefore, a supreme being must be in our future, not our origin. What if "God" is the consciousness that will be created when enough of us are connected by the Internet?!!
As far as using electronics in my music, I have to do that as honestly as possible. Also, I have a broad range of listeners from a classical music base, as well as people, like me, who listen to a lot of different music. So I'm mindful of letting my sitar playing remain at the center of what I do.
I love being theatrical, we love electronics in our music, and we're not afraid to put electronics on my voice and do all these fun things.
If you combine good flavors, food turns into an orchestra.
Whenever I get asked to write orchestra music or music that is for a lot of players, I try to make it a little sad.
I sang 'O Holy Night' with the Vatican orchestra, but also a Blake - a lullaby that William Blake wrote for the Christ child, and I set it to music, and the Vatican orchestra played the music.
There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.
I was really into what is called "minimal synth" - music made strictly on analog synths, and also cold wave, basically a more synth-based version of European post-punk, at that point. So, I decided my own show Minimal Wave was a good way to combine the minimal electronics aspect with the "wave," where guitars come into play.
In western classical music with an orchestra, you focus the orchestra on melodies and harmony. In African music, the biggest focus is on rhythms and counter-rhythms - the complexity of rhythms.
I thought there couldn't be a better backdrop for some kind of powerful music than a big orchestra. My wish to hear how a guitar would sound in front of an orchestra has always been there.
I think that a lot of guys reach for electronics first, but the truth is that you can never keep up with electronics. You buy a flat-screen TV, and then six months later, there's one that has 3D and Blu-ray and all this business, and that is just going to keep continuing.
I never thought that I would write orchestra music, but in fact I did write a group of orchestra pieces.
Let me say that I've never thought to conduct because the conductor has to think to the music before the orchestra. And the orchestra comes later. For me, it's terrible.
The miniaturization of electronics, which ultimately was driven by the marketplace, was started by NASA, because it costs money to get something into orbit. So you want to trim your electronics, miniaturize your electronics, miniaturize your satellites.
If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?
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