A Quote by Johann Kaspar Lavater

The more uniform a man's voice, step, manner of conversation, handwriting--the more quiet, uniform, settled, his actions, his character. — © Johann Kaspar Lavater
The more uniform a man's voice, step, manner of conversation, handwriting--the more quiet, uniform, settled, his actions, his character.
The uniform enhanced his athletic body, and my thoughts drifted to how magnificent he would look with his uniform puddled around his feet.
I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform. But if you dress up in a police officer's uniform, it doesn't mean that you are an officer; it can mean something else. But this is the starting point, and the best way is to not to fit into this uniform but to make this uniform a part of yourself.
I wouldn't really, realistically speaking, know the difference between wearing an S.S. uniform and a U.S. Marine uniform. To me it's all a uniform.
Randy Moss is not a leader. He doesn't deserve to be the captain of the Oakland Raiders. He's the one who said he wanted to be traded. He's not happy. His effort is lacking. That's a disgrace to the uniform. I don't care what uniform you have on.
More knowledge may be gained of a man's real character by a short conversation with one of his servants than from a formal and studied narrative, begun with his pedigree and ended with his funeral.
Clothes are a kind of uniform. A nun's habit, a surgeon's scrubs, a cop's uniform. People often say that when they put on a certain uniform, they actually think of themselves differently.
I fancy the character of a poet is in every country the same,--fond of enjoying the present, careless of the future; his conversation that of a man of sense, his actions those of a fool.
It is not the man who is beside himself, but he who is cool and collected,--who is master of his countenance, of his voice, of his actions, of his gestures, of every part of his play,--who can work upon others at his pleasure.
America has a long history of pride in the military uniform, and the Army has a 362-page directive on proper uniform wear. Included are guidelines that accommodate freedom of religion by outlining what religious attire or jewelry can be worn with the uniform.
Isn't it strange that most times we look at men in uniform - khakhi uniform - we feel more scared than safe. It is said that police should neither be friends nor foes. Always at bay.
Prince William looks good in uniform and Man-at-Hackett black and white tie (he has grown up wearing it constantly); less certain in his suits, which sometimes look borderline archaic; and variable in casual. But completely comfortable in the Sloane uniform of non-designer jeans and chocolate-brown suede loafers. He'll look fine in Boden.
Iconic clothing has been secularized. . . . A guardsman in a dress uniform is ostensibly an icon of aggression; his coat is red as the blood he hopes to shed. Seen on a coat-hanger, with no man inside it, the uniform loses all its blustering significance and, to the innocent eye seduced by decorative colour and tactile braid, it is as abstract in symbolic information as a parasol to an Eskimo. It becomes simply magnificent.
Friendship requires a steady, constant, and unchangeable character, a person that is uniform in his intimacy.
A man becomes the creature of his uniform.
The voice is not only indicative of man's character, but it is the expression of his spirit. Other sounds can be louder than the voice, but no sound can be more living.
A man must not stop listening any more than praying when he rises from his knees. No one questions the need of times of formal address to God, but few admit in any practical way the need of quiet waiting upon God, gazing into His face, feeling for His hand, listening for His voice.
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