A Quote by Johann Kaspar Lavater

The horse-laugh indicates brutality of character. — © Johann Kaspar Lavater
The horse-laugh indicates brutality of character.
The ordinary chestnut can beget a sickly and reluctant laugh, but it takes a horse chestnut to fetch the gorgeous big horse-laugh.
He is, as you say, a remarkable horse, a prodigious horse, although as you very justly observe, a suspicious and untractable character.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
One could laugh at the world better if it didn't mix tender kindliness with its brutality.
A bad laugh is a laugh for the sake of a laugh that's out of character.
Jeez, Hazel," Percy said, "tell your horse to watch his language." Hazel tried not to laugh. "What did he say?" "With the cussing removed? He said he can get us to the top." Frank looked incredulous. "I thought the horse couldn't fly!" This time Arion whinnied so angrily, even Hazel could guess he was cursing. "Dude," Percy told the horse, "I've gotten suspended for saying less than that.
I dreamed horse and lived horse and expected, if necessary, to marry a horse; for all practical purposes I was a horse.
We shouldn't confuse singers and performers with actors. Actors will say, "My character this, and my character that." Like beating a dead horse. Who cares about the character? Just get up and act. You don't have to explain it to me.
I spent a day in a neck brace on a hospital trolley after falling from a horse and cart in Ireland. All the nurses thought I was a traveler, which made me laugh. Who else comes into a hospital saying they've fallen off a horse and cart?
Let me make something clear: I can't do anything in particular to make others laugh. I do what is necessary for a character. The body language of the character may make others laugh.
How the horse dominated the mind of the early races especially of the Mediterranean! You were a lord if you had a horse. Far back, far back in our dark soul the horse prances...The horse, the horse! The symbol of surging potency and power of movement, of action in man!
To answer brutality with brutality is to admit one's moral and intellectual bankruptcy.
I don't mind when my horse is left at the post. I don't mind when my horse comes up to me in the stands and asks, "Which way do I go?" But when the horse I bet on is at the $2 window betting on another horse in the same race...
I have no time for real horses, so I have a plastic horse. Large size. Called Max Von Sydow. For photographs it looks real. If I do a photo shoot and it stands in the background, you think it's a horse. A horse is a horse.
Comedy is all about the character. When you're too focused on the gags, the character suffers, and you don't get the laugh. Comedy has to come from the character.
He’s sort of a homeless horse,” I said. “I’m leaving for the airport in two seconds, and I won’t be back for a couple days. You can put the horse in the garage, but I don’t want that horse in my apartment.” “Who would put a horse in an apartment? That’s dumb.” “Where’s the horse staying now?” “My apartment.” “I can always count on you to brighten my day,” Ranger said. And he disconnected.
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