A Quote by Johann Kaspar Lavater

He who always prefaces his tale with laughter, is poised between impertinence and folly. — © Johann Kaspar Lavater
He who always prefaces his tale with laughter, is poised between impertinence and folly.
Given a choice between a folly and a sacrament, one should always choose the folly—because we know a sacrament will not bring us closer to god and there’s always the chance that a folly will.
Life consists of sadness too. And sadness is also beautiful; it has its own depth, its own delicacy, its own deliciousness, its own taste. A man is poorer if he has not known sadness; he is impoverished, very much impoverished. His laughter will be shallow, his laughter will not have depth, because depth comes only through sadness. A man who knows sadness, if he laughs, his laughter will have depth. His laughter will have something of his sadness too, his laughter will be more colorful.
On the other hand, the pleasure caused by laughter, even on the stage, is not an unadulterated enjoyment; it is not a pleasure that is exclusively esthetic or altogether disinterested. It always implies a secret or unconscious intent, if not of each one of us, at all events of society as a whole. In laughter we always find an unavowed intention to humiliate, and consequently to correct our neighbour, if not in his will, at least in his deed.
The difference between a fairy tale and a sea tale? A fairy tale starts with "Once upon a time". A sea tale starts with " This ain't no $hit"!
A buddha laughs too, but his laughter has the quality of a smile. His laughter has the feminine quality of grace. When an ignorant person laughs, his laughter is very aggressive, egoistic. The ignorant person always laughs at others. The contented person, the person who knows life a little, laughs at himself - at the whole play of life itself. It is not addressed to anybody in particular. He just laughs at the absurdity of it all... the impossibility of it all.
To tell your own secrets is generally folly, but that folly is without guilt; to communicate those with which we are intrusted is always treachery, and treachery for the most part combined with folly.
Politeness is not always a sign of wisdom; but the want of it always leaves room for a suspicion of folly, if folly and imprudence are the same.
As in 'The Three Billy Goats Gruff'?" The skull howled with laughter. "You just got your ass handed to you by a nursery tale?""I wouldn't say they handed me my ass," I said.Bob was nearly strangling on his laughter, and given that he had no lungs it seemed gratuitous somehow. "That's because you can't see yourself," he choked out. "Your nose is all swollen up and you've got two black eyes. You look like a raccoon. Holding a dislocated ass.
You stand exactly in the middle, poised between heaven and earth, a human conductor for the energy that seeks to flow between these two polarities.
Frequent and loud laughter is the characteristic of folly and ill manners.
In the vain laughter of folly wisdom hears half its applause.
What soap is to the body, laughter is to the soul. Laughter is the shortest distance between two people.
Every man has his folly, but the greatest folly of all … is not to have one.
The suburbs of folly is vain mirth, and profuseness of laughter is the city of fools.
The fairy tale always takes place in worlds that are between, unidentifiable.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
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