A Quote by Johann Kaspar Lavater

The mingled incentives which lead to action are often too subtle and lie too deep for us to analyze. — © Johann Kaspar Lavater
The mingled incentives which lead to action are often too subtle and lie too deep for us to analyze.
In art, there are tears that do often lie too deep for thoughts.
Of course there are regrets. I shall regret always that I found my own authentic voice in politics. I was too conservative, too conventional. Too safe, too often. Too defensive. Too reactive. Later, too often on the back foot.
The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared. Sympathies that lie too deep for words, too deep almost for thoughts, are touched, at such times, by other charms than those which the senses feel and which the resources of expression can realise. The mystery which underlies the beauty of women is never raised above the reach of all expression until it has claimed kindred with the deeper mystery in our own souls.
To me the meanest flower that blows can give thoughts that do often lie too deep for tears.
But aesthetics is not religion, and the origins of religion lie somewhere completely different. They lie anyway, these roses smell too sweet and the deep roar of the breaking waves is too splendid, to do justice to such weighty matters now.
By the time it becomes obvious that a technology will have truly disruptive impact, it is often too late to take action. This is one reason why we are such advocates of using theory to try to analyze industry change. Conclusive evidence that proves that a company needs to take action almost never exists. In fact, the data can fool management, lulling them into a false sense of security.
Myth is an attempt to narrate a whole human experience, of which the purpose is too deep, going too deep in the blood and soul, for mental explanation or description.
The trouble with weather forecasting is that it's right too often for us to ignore it and wrong too often for us to rely on it.
My influences happen at more of a subconscious level, I don't dig too deep into that or analyze it myself.
You can't analyze God. He is too awesome, too big, too mysterious.
The way I work, and the material we work with, I think if you analyze too much and have too many specific ideas, it just becomes a little bit too superficial, and then performances might become too self-conscious and project relatively narrow things.
Folks, Brian Williams isn't the exception. He's exactly what they've taught us to expect from them all. It's not journalism any more - it's entertainment, it's celebrity, it's agendas and it's money. All too often, a lie is now an acceptable way of communicating. To the media, a lie has as much value as the truth.
It is well known to all experienced minds that our firmest convictions are often dependent on subtle impressions for which words are quite too coarse a medium.
We are all too often told by someone that we are too old, too young, too different, too much the same, and those comments can be devastating.
I’m almost never serious, and I’m always too serious. Too deep, too shallow. Too sensitive, too cold hearted. I’m like a collection of paradoxes.
The best lie is often one too ridiculous to be taken for a lie.
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