A Quote by Johann Most
If on the one side we do not harbor the illusion that the entire proletariat must be enlightened before it can be called into battle, so on the other we do not doubt that as much enlightenment as possible must be produced with oral and printed agitation.
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The anarchists, on behalf of the proletariat, therefore consider it necessary to show the proletariat that it will have to win a gigantic battle before it realizes its goals.
Do you call it doubting to write down on a piece of paper that you doubt? If so, doubt has nothing to do with any serious business. But do not make believe; if pedantry has not eaten all the reality out of you, recognize, as you must, that there is much that you do not doubt, in the least. Now that which you do not at all doubt, you must and do regard as infallible, absolute truth.
The commander must decide how he will fight the battle before it begins. He must then decide who he will use the military effort at his disposal to force the battle to swing the way he wishes it to go; he must make the enemy dance to his tune from the beginning and not vice versa.
I take criticism so seriously as to believe that, even in the midst of a battle in which one is unmistakably on one side against another, there should be criticism, because there must be critical consciousness if there are to be issues, problems, values, even lives to be fought for... Criticism must think of itself as life-enhancing and constitutively opposed to every form of tyranny, domination, and abuse; its social goals are noncoercive knowledge produced in the interests of human freedom.
I'm called an oral historian, which is something of a joke. Oral history was here long before the pen, long before Gutenberg and the printing press. The difference is I have a tape recorder in my hand.
Our world is in profound danger. Mankind must establish a set of positive values with which to secure its own survival. This quest for enlightenment must begin now. It is essential that all men and women become aware of what they are, why they are here on Earth and what they must do to preserve civilization before it is too late.
Anything that is created must sooner or later die. Enlightenment is permanent because we have not produced it; we have merely discovered it.
The choreographed standing and clapping of one side of the room - while the other side sits - is unbecoming of a serious institution and the message that it sends is that even on a night when the president is addressing the entire nation, we in Congress cannot sit as one, but must be divided as two.
As we know, the goal of every struggle is victory. But if the proletariat is to achieve victory, all the workers, irrespective of nationality, must be united. Clearly, the demolition of national barriers and close unity between the Russian, Georgian, Armenian, Polish, Jewish and other proletarians is a necessary condition for the victory of the proletariat of all Russia.
Along with the fight to desegregate schools, we must desegregate the entire cultural statement of America, we must desegregate the minds of the American people or we will find that we have won the battle and lost the war.
In order to deserve, we must pay our dues and steadily work for perfection. We must relish in struggle, and relinquish pride. We must dispel fear and seek enlightenment. We must shun division and honor love. We must know our hearts and seek to understand others. We must try, live, create, feel, grow and love.
Nirvana is a word that means enlightenment, being beyond the illusion of birth and death, the illusion of pain, the illusion of love, the illusion of time and life.
Every soldier must know, before he goes into battle, how the little battle he is to fight fits into the larger picture, and how the success of his fighting will influence the battle as a whole.
Three characteristics a work of fiction must possess in order to be successful:
1. It must have a precise and suspenseful plot.
2. The author must feel a passionate urge to write it.
3. He must have the conviction, or at least the illusion, that he is the only one who can handle this particular theme.
When we play music we describe the echo the tableau of natural forms, their shapes and arrangements, as uncovered by the composer's imagination, which yet must be filtered through our own. There is no other way. And in acknowledging this tableau, this revelation, we must "hesitate", we must doubt, as the composer doubted, for no valid creation can issue unscarred by doubt, by that vast flux of wonder which precedes the construction of being.
Humanity stands ... before a great problem of finding new raw materials and new sources of energy that shall never become exhausted. In the meantime we must not waste what we have, but must leave as much as possible for coming generations.
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