A Quote by Johann Pachelbel
His best-known piece is probably his "Canon in D." He also has 'Hexachordium Apollonis', which is also quite famous.
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God is not only to be known in His blessed and incomprehensible being, for this is something which is reserved for His saints in the age to come. He is also known from the grandeur and beauty of His creatures, from His providence which governs the world day by day, from His righteousness and from wonders which He shows to His saints in each generation.
Bible says the tree is known by his fruit. We can also say that the great man is known by his undreamed dreams!
We know next to nothing with any certainty about Pythagoras, except that he was not really called Pythagoras. The name by which he is known to us was probably a nickname bestowed by his followers. According to one source, it meant ‘He who spoke truth like an oracle’. Rather than entrust his mathematical and philosophical ideas to paper, Pythagoras is said to have expounded them before large crowds. The world’s most famous mathematician was also its first rhetorician.
God doth not need
Either man's work or his own gifts. Who best
Bear his mild yoke, they serve him best. His state
Is kingly: thousands at his bidding speed,
And post o'er land and ocean without rest;
They also serve who only stand and wait.
A realization and a dissection of the canon gave rise to the work. But there's also a sneaking suspicion of the canon.
The individual man, in introspecting the fact of his own consciousness, also discovers the primordial natural fact of his freedom: his freedom to choose, his freedom to use or not use his reason about any given subject. In short, the natural fact of his "free will." He also discovers the natural fact of his mind's command over his body and its actions: that is, of his natural ownership over his self.
I do not know what the spirit of a philosopher could more wish to be than a good dancer. For the dance is his ideal, also his fine art, finally also the only kind of piety he knows, his 'divine service.'
I have always been known as Mahesh Bhatt's wife, and I would tell people, 'Hello! I'm here!' This has always been a struggle. I would like to be known for who I am. I'm very happy to be known as his wife or Alia's mother. But I am also a person who, in her own right, has gone through quite a lot of odds.
It is that perfection of God by which he is devoid of all change, not only in His Being, but also in His perfections, and in His purposes and promises.
David Hockney is best known for his work with paint and canvas, but he has also worked in media as diverse as Polaroid-photo collage and fax painting.
while it is certainly the biographer's business to describe the foibles, passions and idiosyncrasies which make his subject a person, his work will be very meagre if these individual traits are not also seen as part of a universal drama - for each man's life is also the story of Everyman.
On December 12, 1829, Paganini wrote his friend Germi: "The variations I've composed on the graceful Neapolitan ditty, 'Oh Mamma, Mama Cara,' outshine everything. I can't describe it!" He was writing from Karlsruhe, in the midst of his triumphal tour through Germany. That letter marks the earliest known mention of the variations that would become famous as "The Carnival of Venice." At the time of his letter, Paganini had already performed the piece in at least four concerts. From then on, it would be one of his most popular compositions.
The material which a scientist actually has at his disposal, his laws, his experimental results, his mathematical techniques, his epistemological prejudices, his attitude towards the absurd consequences of the theories which he accepts, is indeterminate in many ways, ambiguous, and never fully separated from the historical background . This material is always contaminated by principles which he does not know and which, if known, would be extremely hard to test.
God is ever before my eyes. I realize his omnipotence and I fear His anger; but I also recognize his compassion, and His tenderness towards His creatures.
Washington shows the Negro not only at his best, but also at his worst.
The pain was quite extraordinary. And yet also weirdly welcome and restorative, bringing him news of his aliveness and his caughtness in a story larger than himself.
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