A Quote by Johann Wolfgang von Goethe
People should talk less and draw more. Personally, I would like to renounce speech altogether and, like organic nature, communicate everything I have to say visually.
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One thing I like to tell founders is the more you talk, the more you have an opportunity to say something that people don't like. Talk less, and it will probably be better.
If you're offended, what the Supreme Court has said the answer to speech you do not like is not less speech, it's more speech. There are many people in America who don't get that.
We talk too much. We should talk less and draw more.
A film, since it is primarily a visual medium, should really be like a silent film. You should be able to watch something and understand what was going on and use voice when you need to communicate something you can't necessarily communicate visually. The book is the opposite. The book is an inner monologue which is beautiful.
I would like to work with brands I personally love, like Haider Ackermann, Chanel, or Off-White, to even newer brands like Rhude and A-Cold-Wall. It's easier and more organic when you know and love the brand already.
Since becoming a mother, I'd say it's more so affected my general outlook on things. I'm less worried about everything. Less scared to make those numbers that people think are standard or less scared to create something that maybe I don't think people are going to like, because it's all about if I like it. I need to be happy.
I generally feel that the solution to speech that people find offensive is more speech. You should talk about it, discuss it.
People are hypocritical. That's just human nature. I embrace my hypocrisy. Once you come to grips with who you are and what's in you, and you aren't ashamed of it...but people are made to feel ashamed. You start thinking, like, "Is this human nature? That I like certain things, but I don't like certain aspects of certain things? Should I just shun it altogether?"
Cats have a contempt of speech. Why should they talk when they can communicate without words?
I just talk just to talk. I like to see what other people think. There's some things somebody tweets me every day where I'm like, 'Wow, I never thought of this issue that way.' It starts great conversation with people who I would never get a chance to actually communicate with.
I roughly draw the scene beforehand to be more confident on the set. Instead of talking and explaining certain things, I try to visually communicate the scene to my team with the story board. This is how I work.
I would like to say to children, 'Don't stop drawing. Don't tell yourself you can't draw.' Everyone can draw. If you make a mark on a page, you can draw.
It's always easy to get people to condemn threats to free speech when the speech being threatened is speech that they like. It's much more difficult to induce support for free speech rights when the speech being punished is speech they find repellent.
Sri Yukteswar used to poke gentle fun at the commonly inadequate conceptions of renunciation."A beggar cannot renounce wealth," Master would say. "If a man laments: 'My business has failed; my wife has left me; I will renounce all and enter a monastery,' to what worldly sacrifice is he referring? He did not renounce wealth and love; they renounced him!"Saints like Gandhi, on the other hand, have made not only tangible material sacrifices, but also the more difficult renunciation of selfish motive and private goal, merging their inmost being in the stream of humanity as a whole.
If you want to write about a person who isn't nice, people say, "This is a bad book. It's about somebody I couldn't stand." But that's not the point. You don't have to like a character to like a book. Most of the time, people would misjudge and say, "I didn't like the book." No, you didn't like the character. That doesn't make it any less interesting of a book. In fact, to me, it makes it more interesting.
My father would sit and design furniture and cabinets - he was a carpenter and cabinet maker - and I would ask for my own piece of paper and pencil. And when I would say, 'What should I draw?' he would push a cartoon under my nose and say, 'Here, draw this.' So the cartoon became a kind of focus of attention.
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