A Quote by Johann Wolfgang von Goethe

Beauty is a primeval phenomenon, which itself never makes its appearance, but the reflection of which is visible in a thousand different utterances of the creative mind, and is as various as nature herself.
We too, through lack of knowledge and of sufficiently mature reflection, mistook the visible outward appearance of the phenomenon for the phenomenon itself.
The beautiful is a phenomenon which is never apparent of itself, but is reflected in a thousand different works of the creator.
There are various orders of beauty, causing men to make fools of themselves in various styles, from the desperate to the sheepish; but there is one order of beauty which seems made to turn the heads not only of men, but of all intelligent mammals, even of women. It is a beauty like that of kittens, or very small downy ducks making gentle rippling noises with their soft bills, or babies just beginning to toddle and to engage in conscious mischief — a beauty with which you can never be angry, but that you feel ready to crush for inability to comprehend the state of mind into which it throws you.
Art is contemplation. It is the pleasure of the mind which searches into nature and which there divines the spirit of which nature herself is animated.
Visible nature is but a distorted reflection of a more perfect world and the creative individual viewing her is inspired to perceive within and behind her many garments, that which is timeless and entirely beautiful.
But since the brain, as well as the cerebellum, is composed of many parts, variously figured, it is possible, that nature, which never works in vain, has destined those parts to various uses, so that the various faculties of the mind seem to require different portions of the cerebrum and cerebellum for their production.
Art does not lie in copying nature.- Nature furnishes the material by means of which is to express a beauty still unexpressed in nature.-The artist beholds in nature more than she herself is conscious of.
Genius is a light which makes the darkness visible, like the lightning's flash, which perchance shatters the temple of knowledge itself.
Within the various acts of the ecodrama should be included scenes in which men's and women's roles come to center stage and scenes in which Nature 'herself' is an actress.
Beauty has no other origin than the singular wound, different in every case, hidden or visible, which each man bears within himself, which he preserves, and into which he withdraws when he would quit the world for a temporary but authentic solitude
Art does not imitate nature, but founds itself on the study of nature, takes from nature the selections which best accord with its own intention, and then bestows on them that which nature does not possess, viz: The mind and soul of man.
Man makes a death which Nature never made. And feels a thousand deaths in fearing one.
The first step to be taken, is to study carefully the fundamental phenomenon above described, and to examine all the various circumstances under which it presents itself.
I believe that what makes the psychedelic experience so central is that it is a connection into a larger modality of organization on the planet, which is a fancy way of saying it connects you up to the mind of Nature Herself.
We have three approaches at our disposal: the observation of nature, reflection, and experimentation. Observation serves to assemble the data, reflection to synthesise them and experimentation to test the results of the synthesis. The observation of nature must be assiduous, just as reflection must be profound, and experimentation accurate. These three approaches are rarely found together, which explains why creative geniuses are so rare.
The cloud represents the creative power of the mind, which can assume any imaginable form. It is the ideal medium of creation for the enlightened mind, which manifests itself on the plane of timeless meditative vision.
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