A Quote by Johann Wolfgang von Goethe

The beautiful is a phenomenon which is never apparent of itself, but is reflected in a thousand different works of the creator. — © Johann Wolfgang von Goethe
The beautiful is a phenomenon which is never apparent of itself, but is reflected in a thousand different works of the creator.
Beauty is a primeval phenomenon, which itself never makes its appearance, but the reflection of which is visible in a thousand different utterances of the creative mind, and is as various as nature herself.
For Calvin, the creation reflects its Creator at every point. Image after images flashed in front of our eyes, as Calvin attempts to convey the multiplicity of ways in which the creation witnesses to its Creator: it is like a visible garment, which the invisible God dons in order to make himself known; it is like a book in which the name on the Creator is written as its author; it is like a theater, in which the glory of God is publicly displayed; it is like a mirror, in which the works and wisdom of God are reflected.
Thus fear of danger is ten thousand times more terrifying than danger itself when apparent to the eyes ; and we find the burden of anxiety greater, by much, than the evil which we are anxious about.
But it is impossible that the creative power should exclude itself. Into every intelligence there is a door which is never closed,through which the creator passes.
Sex in the City was a different kind of phenomenon because of the show itself is a phenomenon and to me that's successful because to resonate with women across the board for six years and have only one African-American actor pass through for one episode.
I became startled by the extraordinary difference between something whose surface is completely invisible which only makes itself present by virtue of what it reflects, and a window, which doesn't make itself apparent at all, in the ideal case.
You may be reborn a thousand times, but you can never know the real, for only that which dies, that which comes to an end, can renew itself.
Over two thousand years ago, Aristotle taught us that money should be durable, divisible, consistent, convenient, and value in itself. It should be durable, which is why wheat isn't money; divisible which is why works of art are not money; consistent which is why real estate isn't money; convenient, which is why lead isn't money; value in itself, which is why paper shouldn't be money. Gold answers to all these criteria.
Humility is often only the putting on of a submissiveness by which men hope to bring other people to submit to them; it is a morecalculated sort of pride, which debases itself with a design of being exalted; and though this vice transform itself into a thousand several shapes, yet the disguise is never more effectual nor more capable of deceiving the world than when concealed under a form of humility.
We too, through lack of knowledge and of sufficiently mature reflection, mistook the visible outward appearance of the phenomenon for the phenomenon itself.
The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stoodthere from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.
The phenomenon of emergence takes place at critical points of instability that arise from fluctuations in the environment, amplified by feedback loops. Emergence results in the creation of novelty, and this novelty is often qualitatively different from the phenomenon out of which it emerged.
For when we say that what is different is different, we affirm that what is different is the same as itself. For what is different can be different only through the Absolute Same, through which all that is is both the same as itself and other than another.
I am pragmatic. That which works, works, and theory can go screw itself. However, my pragmatism also extends to maintainability, which is why I also want it done well.
What will be the judgment a century hence concerning the lorded works of our favorite composers today? Inasmuch as nearly everything is subject to the changes of time, and - more's the pity- the fashions of time, only that which is good and true will endure like a rock and no wanton hand will ever venture to defile it. Then, let every man do that which is right, strive with all his might towards the goal which can never be obtained, develop to the last breath the gifts with which the gracious Creator has endowed him, and never cease to learn. For life is short, art eternal.
Anything that is beautiful is beautiful just as it is. Praise forms no part of its beauty, since praise makes things neither better nor worse. This applies even more to what it commonly called beautiful: natural objects, for example, or works of art. True beauty has no need of anything beyond itself.
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