A Quote by Johann Wolfgang von Goethe
Gray is the color of all theory
Related Quotes
Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it.
I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
The Moon is essentially gray - no color - looks like plaster of paris - soft of gray sand.
Well, did he do it?" She always asked the irrelevant question. It didn't matter in terms of the strategy of the case whether the defendant "did it" or not. What mattered was the evidence against him -- the proof -- and if and how it could be neutralized. My job was to bury the proof, to color the proof a shade of gray. Gray was the color of reasonable doubt.
I said, I prefer the ocean when it's gray. Or not really gray. A pale, in-between color. It reminds me of waiting for something good to happen.
Entertainment came out of this thing called a television, and it was gray. Most of the films that we saw at the cinema were black and white. It was a gray world. And music somehow was in color.
All students need to know about color is the basic color wheel and complimentary colors. There are many books on color theory; do not waste your time and money.
Gray is great. People think gray is a neutral, but I think it's such a moody, intense, dramatic and sexy color. It's very sleek.
The most important thing that I think we've done this season is to show navy and gray in a very new way. Most men understand navy and gray as a navy blazer and a gray flannel trouser, but today, we're taking that very traditional color palette and putting it in a more modern shape.
If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?
My understanding – of course, I’m not a philosopher or a scientist – of an aspect of Goethe’s theory of color is that he felt that color came out of tension between light and dark. I think that is very appropriate when you think about the kind of color that I shoot.
The moon is bland in color. I call it shades of gray. You know, the only color we see is what we bring or the Earth, which is looking down upon us all the time. And to find orange soil on the moon was a surprise.
Not gray, exactly. Right before the sun rises there's a moment when the whole sky goes this pale nothing color-not really gray but sort of, or sort of white, and I've always really liked it because it reminds me of waiting for something good to happen.
Three years after my first trip to Haiti, I realized there was another emotional note that had to be reckoned with: the intense, vibrant color of these worlds. Searing light and intense color seemed somehow embedded in the cultures that I had begun working in, so utterly different from the gray-brown reticence of my New England background. Since then, I have worked predominantly in color.
I grew up in Hong Kong, and London used to seem very gray: the sky was gray, the buildings were gray, the food was incredibly gray - the food had, like, new kinds of grayness specially invented for it.
The color of truth is gray.
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