A Quote by Johann Wolfgang von Goethe

It would be a lowly art that allowed itself to be understood all at once. — © Johann Wolfgang von Goethe
It would be a lowly art that allowed itself to be understood all at once.
It would be most wholesome if for at least twenty years art historians were forbidden to refer to any derivations. If they were not allowed to account for a work of art mainly by tracing where it comes from, they would have to deal with it in and by itself--which is what they are most needed for.
I understood that every flower created by Him is beautiful, that the brilliance of the rose and the whiteness of the lily do not lessen the perfume of the violet or the sweet simplicity of the daisy. I understood that if all the lowly flowers wished to be roses, nature would no longer be enamelled with lovely hues. And so it is in the world of souls, Our lord's living garden.
Holiness is not some lofty experience, unattainable except to those who can leap the stars, but it is rather a lowly experience, which lowly people in the lowly walks of life can share with Jesus, by letting His mind be in them.
Once in royal David's city Stood a lowly cattle shed, Where a Mother laid her Baby In a manger for His bed: Mary was that Mother mild Jesus Christ her little Child . . . With the poor, and mean, and lowly, Lived on earth our Savior Holy.
Once desire was turned on, combustion gave it a life of its own. Once it was turned on it became a raging wildfire, uncontrollable and uncontainable, the type of conflagration that had to be allowed to burn itself out.
I think that I would really like at first for the art to speak for itself. I don't see the need for a lot of personal information about my past or who I am. I would rather the personal side of it just be in the concepts and the genuine feelings that I filter through my work. I know that it's inevitable that people can find whatever they want about me. Once I've had a chance to create a language and a world with my art, then I'm more comfortable sharing that information.
Art makes people do a double take and then, if they're looking at the picture, maybe they'll read the text under it that says, "Come to Union Square, For Anti-War Meeting Friday." I've been operating that way ever since - that art is a means to an end rather than simply an end in itself. In art school we're always taught that art is an end in itself - art for art's sake, expressing yourself, and that that's enough.
When our eyes met, I felt that I was growing pale. A curious sensation of terror came over me. I knew that I had come face to face with some one whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself.
A written word is the choicest of relics. It is something at once more intimate with us and more universal than any other work of art. It is the work of art nearest to life itself. It may be translated into every language, and not only be read but actually breathed from all human lips; -- not be represented on canvas or in marble only, but be carved out of the breath of life itself.
...throughout the history of art it has been art itself - in all its forms - that has inspired art...today's photographs are so geared to life that one can learn more from them than from life itself.
If we understood the enigmas of life there would be no need for art.
I wasn't allowed to do commercials. I wasn't allowed to do TV series. I wasn't allowed to do soaps or basically anything that would mean I missed too much school.
I think all art - even one as lowly as making jokes about celebrities - is there to make a connection.
The function of art is to make that understood which in the form of argument would be incomprehensible.
Art is not chaste. Those ill prepared should be allowed no contact with art. Art is dangerous. If it is chaste, it is not art.
Art is nothing tangible. We cannot call a painting 'art' as the words 'artifact' and 'artificial' imply. The thing made is a work of art made by art, but not itself art. The art remains in the artist and is the knowledge by which things are made.
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