A Quote by Johann Wolfgang von Goethe
English plays, Atrocious in content, Absurd in form, Objectionable in action, Execrable EnglishTheatre.
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me, pro. The objectionable case of I. The personal pronoun in English has three cases, the dominative, the objectionable and the oppressive. Each is all three.
Within the black community, roughly 60 percent of children are born to single moms. Moms don't have the emotional wherewithal to deal with their children. Their English is atrocious. Their speaking is atrocious. The dropout rate is horrendous.
The I&B Ministry, at their own convenience, can't pick and choose content in serials. We have weird commercials with a lot of objectionable content running on TV post 11 P.M., but nothing has been done to stop them?
The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.
To me, form is not something that you can plan beforehand, especially for a documentary. You can't write it or sketch it. It requires a confrontation with reality, with history, with ethics and morals. After identifying good content, you have to find the right form to express that content.
Consider the sexual harassment which continually occurs between a secretary and a boss . . . while objectionable to many women, [it] is not a coercive action. It is rather part of a package deal in which the secretary agrees to all aspects of the job when she agrees to accept the job, and especially when she agrees to keep the job. The office is, after all, private property. The secretary does not have to remain if the 'coercion' is objectionable.
Broadcasters have a responsibility to serve the public interest and protect Americans from objectionable content, particularly during the hours when children are likely to be watching.
Good design is not about form following function. It is function with cultural content. By adding "cultural content" to the concept of "form follows function," objects cease to be finite or predictable. Maybe the right way to interpret the dictum is to first acknowledge that the function needs to be clearly understood before the form is considered.
Apparently the Dutch now prided themselves on being better at queues than the English, which was absurd, because standing cheerfully in line was the English national sport.
The main characteristic of play - whether of child or adult - is not it content but its mode. Play is an approach to action, not a form of activity.
Without the aesthetic, the computer is but a mindless speed machine, producing effects without substance, form without relevant content, or content without meaningful form.
The climate in the '50s and '60s for black performers or black people in the entertainment business was atrocious. It was atrocious.
The content defines the platform, so whereas when I was working at ABC from '66 to '76, people said it was the "great wasteland." It was the least-objectionable program that succeeded. It was, if you could get behind "All in the Family," you were successful.
What the Japanese are, are the Americans of the 21st century. Essentially what is objectionable about them is what was objectionable about Americans when we had the ball. However, they are committed in a way that American technology is not.
The abstract expressionists had that thing of, subject matter becomes content, content becomes form. And I always thought there was no room for style. I felt with my painting, the style really is the content. The style holds everything together.
I've always been literally a lover of the absurd. I think the absurd gives a new dimension to reality and even to common sense. And life, you know, on an everyday basis, is absurd, or may turn out to be absurd. There's no reality without absurdity.
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