A Quote by Johann Wolfgang von Goethe
A man's name is not like a mantle which merely hangs about him...but a perfectly fitting garment, which, like the skin, has grown over him, at which one cannot rake and scrape without injuring the man himself.
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Philosophers have long conceded, however, that every man has two educators: 'that which is given to him, and the other that which he gives himself. Of the two kinds the latter is by far the more desirable. Indeed all that is most worthy in man he must work out and conquer for himself. It is that which constitutes our real and best nourishment. What we are merely taught seldom nourishes the mind like that which we teach ourselves.
In the name of what - except perhaps the coefficient of rarity - does man adorn himself with necklaces of shells and not spider's webs, with fox fur and not fox innards? In the name of what I don't know. Don't dirt, trash and filth, which are man's companions during his whole lifetime, deserve to be dearer to him and isn't it serving him well to remind him of their beauty?
Love is an active power in man; a power which breaks through the walls which separate man from his fellow men, which unite him with others; love makes him overcome the sense of isolation and separateness, yet it permits him to be himself, to retain his integrity.
It is not a slight thing, gentlemen, to force a man to say what he is, or what he believes himself to be; for that supreme word of man, that single expression which he utters of and upon himself is decisive. It lays down the basis upon which all judgment of him is to be formed. From that moment all the acts of his life must correspond to the answer given by him.
Man cannot become attached to higher aims and submit to a rule if he sees nothing above him to which he belongs. To free him from all social pressure is to abandon him to himself and demoralize him.
All the lies and evasions by which man has nourished himself civilization, in a word is the fruits of the creative artist. It is the creative nature of man which has refused to let him lapse back into that unconscious unity with life which characterizes the animal world from which he made his escape.
In the same way a Christian is not a man who never goes wrong, but a man is enabled to repent and pick himself up and begin over again after each stumble--because the Christ-life is inside him, repairing him all the time, enabling him to repeat (in some degree) the kind of voluntary death which Christ Himself carried out." - Mere Christianity
What a man does, that he has. What has he to do with hope or fear? In himself is his might. Let him regard no good as solid but that which is in his nature, and which must grow out of him as long as he exists. The goods of fortune may come and go like summer leaves; let him scatter them on every wind as the momentary signs of his infinite productiveness.
For Calvin, the creation reflects its Creator at every point. Image after images flashed in front of our eyes, as Calvin attempts to convey the multiplicity of ways in which the creation witnesses to its Creator: it is like a visible garment, which the invisible God dons in order to make himself known; it is like a book in which the name on the Creator is written as its author; it is like a theater, in which the glory of God is publicly displayed; it is like a mirror, in which the works and wisdom of God are reflected.
I'll not meddle with it; it is a dangerous thing; it makes a man a coward; a man cannot steal, but it accuseth him; a man cannot swear, but it checks him; a man cannot lie with his neighbor's wife, but it detects him. 'Tis a blushing, shame -faced spirit, that mutinies in a man's bosom ; it fills one full of obstacles; it made me once restore a purse of gold that by chance I found; it beggars any man that keeps it; it is turned out of all towns and cities for a dangerous thing; and every man that means to live well endeavors to trust to himself and live without it.
Man, like other organisms, is so perfectly coordinated that he may easily forget, whether awake or asleep, that he is a colony of cells in action, and that it is the cells which achieve, through him, what he has the illusion of accomplishing himself.
The value of a man is in his intrinsic qualities: in that of which power cannot strip him and which adverse fortune cannot take away. That for which he is indebted to circumstances is mere trapping and tinsel.
When we do not know the truth of a thing, it is good that there should exist a common error which determines the mind of man, as, for example, the moon, to which is attributed the change of seasons, the progress of diseases, etc. For the chief malady of man is a restless curiosity about things which he cannot understand; and it is not so bad for him to be in error as to be curious to no purpose.
Sex divorced from love, instead of raising man by taking him away from himself, drags him down to the hall of mirrors where he is always confronted with self. Sex does not care about the person, but about the act. The fig leaf which once was put over the secret parts of man and woman in sculpture is now put over the face. The person does not matter.
My conception of the audience is of a public each member of which is carrying about with him what he thinks is an anxiety, or a hope, or a preoccupation which is his alone and isolates him from mankind and in this respect at least the function of a play is to reveal him to himself so that he may touch others by virtue of the revelation of his mutuality with them. If only for this reason I regard the theater as a serious business, one that makes or should make man more human, which is to say, less alone.
Man is so made that by continually telling him he is a fool he believes it, and by continually telling it to himself he makes himself believe it. For man holds an inward talk with himself, which it pays him to regulate.
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