A Quote by Johann Wolfgang von Goethe

Woman is mistress of the art of completely imbittering the life of the person on whom she depends. — © Johann Wolfgang von Goethe
Woman is mistress of the art of completely imbittering the life of the person on whom she depends.
In the beginning there was Isis: Oldest of the Old, She was the Goddess from whom all Becoming Arose. She was the Great Lady, Mistress of the two Lands of Egypt, Mistress of Shelter, Mistress of Heaven, Mistress of the House of Life, Mistress of the word of God. She was the Unique. In all Her great and wonderful works She was a wiser magician and more excellent than any other God.
The last thing a woman will consent to in a man whom she loves, or on whom she simply depends, is want of courage.
The last thing a woman will consent to discover in a man whom she loves, or on whom she simply depends, is want of courage.
An inconstant woman is one who is no longer in love; a false woman is one who is already in love with another person; a fickle woman is she who neither knows whom she loves nor whether she loves or not; and the indifferent woman, one who does not love at all.
A woman cannot do the thing she ought, which means whatever perfect thing she can, in life, in art, in science, but she fears to let the perfect action take her part and rest there: she must prove what she can do before she does it, -- prate of woman's rights, of woman's mission, woman's function, till the men (who are prating, too, on their side) cry, A woman's function plainly is... to talk. Poor souls, they are very reasonably vexed!
The extraordinary woman depends on the ordinary woman. It is only when we know what were the conditions of the average woman's life - the number of children, whether she had money of her own, if she had a room to herself, whether she had help bringing up her family, if she had servants, whether part of the housework was her task - it is only when we can measure the way of life and experience made possible to the ordinary woman that we can account for the success or failure of the extraordinary woman as a writer.
She did not want to be that woman - the one of whom they spoke. She had never planned to be that woman. Somehow, it had happened, however...somehow, she had lost her way and, without realizing it, she had chosen this staid, boring life instead of a different, more adventurous one.
Art is an absolute mistress; she will not be coquetted with or slighted; she requires the most entire self-devotion, and she repays with grand triumphs.
A cunning woman is her own mistress because she confides in no one. She who deceives others anticipates deceit, and guards herself.
The thing that really got me about Janis the most, was how liberated she was. She stood in that power even though it was kind of that platform of blues of being completely tormented, that enabled her to just stand there and let it go at a time when woman were not doing that...she just came out in the completely undone, unwrapped way and I think spoke right out of a woman's soul. Directly.
A woman is never so happy as when she is being wooed. Then she is mistress of all she surveys, the cynosure of all eyes, until that day of days when she sails down the aisle, a vision in white, lovely as the stefanotis she carries, borne translucent on her father's manly arm to be handed over to her new father-surrogate. If she is clever, and if her husband has the time and the resources, she will insist on being wooed all her life; more likely she will discover that marriage is not romantic, that husbands forget birthdays and aniversaries and seldom pay compliments, are often perfunctory.
We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.
A FRIEND IS A PERSON . . . With whom you can be sincere. . . . To whom you never need to defend yourself. . . . On whom you can depend whether present or absent. . . . With whom you never need pretend. . . . To whom you can reveal yourself without fear of betrayal. . . . Who does not feel she owns you because you are her friend. . . . Who will not selfishly use you because she has your confidence. I WOULD HAVE SUCH A FRIEND. . . AND I WOULD BE SUCH A FRIEND. I DO HAVE SUCH A FRIEND!
The being who, for most men, is the source of the most lively, and even, be it said, to the shame of philosophical delights, the most lasting joys; the being towards or for whom all their efforts tend for whom and by whom fortunes are made and lost; for whom, but especially by whom, artists and poets compose their most delicate jewels; from whom flow the most enervating pleasures and the most enriching sufferings - woman, in a word, is not, for the artist in general... only the female of the human species. She is rather a divinity, a star.
Feminism has nothing at all to do with being 'feminine.' Feminine means accentuating the womanly attributes that make women deliciously different from men. The feminine woman enjoys her right to be a woman. She has a positive outlook on life. She knows she is a person with her own identity and that she can seek fulfillment in the career of her choice, including that of traditional wife and mother.
My mom didn't teach me about Marco Polo. She didn't teach me about Napoleon. She didn't teach me about any of that. But she did teach me how to survive and to be a good person. And you need to be a strong woman to do that. She's the biggest person in my life. She's my Virgin Maria. That's why I love religion so much.
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