A Quote by Johann Wolfgang von Goethe

Die Mathematiker sind eine Art Franzosen. Spricht man zu ihnen, so übersetzen sie alles in ihre eigene Sprache, und so wird es alsobald etwas ganz anderes. Mathematicians are a kind of Frenchmen. Whenever you say anything or talk to them, they translate it into their own language, and right away it is something completely different.
Mathematicians are like Frenchmen: whatever you say to them they translate into their own language and forthwith it is something entirely different.
The Evil One has left, the evil ones remain. [Ger., Den Bosen sind sie los, die Bosen sind geblieben.]
It is manlike to punish but godlike to forgive. [Ger., Menschlich ist es bloss zu strafen Aber gottlich zu verzeihn.]
Musicals are written in English, and then we import them to Japan. When we translate them into Japanese, the sounds of the language are completely different. The Japanese language is not the best for singing, in terms of sound.
Age childish makes, they say, but 'tis not true; We're only genuine children still in Age's season. [Ger., Das Alter macht nicht kindisch, wie man spricht, Es findet uns nur noch als wahre Kinder.]
The educational aspect of art shows has become overbearing: some of exhibits can leave you bleary from trying to read the walls. Presumably a piece of art is timeless and it can say something to us. You are taking away the right of art to talk for itself.
Wo die Liebe herrscht, da gibt es keinen machtwillen, und wo die macht den vorrang hat, da fehlt die Liebe. Das eine ist der Schatten des andern. Translation: Where love rules, there is no will to power; and where power predominates, there love is lacking. The one is the shadow of the other.
Whenever someone says something bad about you, just confront them on it and just be a man and own up to it. If you said something you shouldn t have said, and it's important to somebody you need to talk to, you need to go talk to them. Be a man. Step up.
Die Kunst ist ewig, ihre Formen wandeln sich. (The art is eternal, their shapes are changing.)
Im Krieg machen die Starken die Schwachen zu Sklaven, im Frieden machen die Reichen die Armen zu Sklaven.
Objectifying is kind of a funny thing. Art is objectification, all art, because you're taking someone and making them into an object. But people can also talk back more to you when you're sketching them. They can look at you and say, 'Oh man, you got me wrong.'
Whenever I get a chance to work in a different language, or in a different accent, or anything like that, I'm game. I think it's a great challenge and something to be done.
Consider this: Whenever someone is bothering you, and they just won't let up, and they won't listen to anything you have to say, what do you tell them to get them to shut up and go away? 'You're right.' It works every time. But you haven't agreed to their position. You have used 'you're right' to get them to quit bothering you.
Everything in the world may be endured, except only a succession of prosperous days. [Ger., Alles in der Welt lasst sich ertragen, Nur nicht eine Reihe von schonen Tagen.]
Whenever I want to represent or depict the official version, I will refer to them as 'mathematicians' or 'mathematical physicists' or idiots or something like that. There are no physicists in mainstream 'Physics.' From Newton to Einstein to Hawking, they are all just mathematicians as far as Science and Physics are concerned.
There is nothing more frightful than an active ignorance. [Ger., Es ist nichts schrecklicher als eine thatige Unwissenheit.]
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