A Quote by Johann Wolfgang von Goethe

Every decided colour does a certain violence to the eye, and forces the organ to opposition. — © Johann Wolfgang von Goethe
Every decided colour does a certain violence to the eye, and forces the organ to opposition.
I'm blessed. I have a 13-year-old girl's eye and a 14 year-old boy's eye. I've been given the gift of sight by people who decided to donate organs. I try to do as much organ-donor work as I can.
Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use it to enrich the canvas and to probe more deeply into the object. Colour also decided, to a certain extent, my spiritual outlook, but it is subordinated to life, and above all, to the treatment of form. Too much emphasis on colour at the expense of form and space would make a double manifestation of itself on the canvas, and this would verge on craft work.
The plate at each point only sends back to the eye the simple colour imprinted. The other colours are destroyed by interference. The eye thus perceives at each point the constituent colour of the image.
I had an idea for a story about a young woman who was living with people who were different, not just superficially different - such as hair colour, or eye colour, or skin colour - but different in some significant way.
In times of violence, personal predilections for niceties of colour and form seem irrelevant. All primitive expression (like the myths) reveals the constant awareness of powerful forces, the immediate presence of terror and fear.
Every situation is an equilibrium of forces; every life is a struggle between opposing forces working within the limits of a certain equilibrium
The colour of my skin determines what opportunities I have; the colour of my skin says there's only room for one or two of us to be accepted in a certain job; the colour of my skin has dictated everything I've done in my whole life.
Sometimes I can see colour without opening my eyes. I saw that Billy's heart was no colour and every colour. Like water or diamonds or crystals, it's pure and reflects the light.
The more opposition there is, the better. Does a river acquire velocity unless there is resistance? The newer and better a thing is, the more opposition I will meet with at the outset. It is opposition which foretells success. Where there is no opposition there is no success either.
Violence in real life is terrible; violence in movies can be cool. It's just another colour to work with.
The eye and soul are caressed in the contemplation of form and colour. The subtle changes of colour over a surface - transitions that are like music - are intangible in their reaction upon us. There is an immediate sensuous appeal!
Procedure is the bone structure of a democratic society. Our scheme of law affords great latitude for dissent and opposition. It compels wide tolerance not only for their expression but also for the organization of people and forces to bring about the acceptance of the dissenter's claim....We have alternatives to violence.
The Opposition aren't really the Opposition. They're just called the Opposition. But in fact they are the Opposition in exile. The Civil Service are the Opposition in residence.
As far as the opposition to Jayalalitha was concerned, it was that she was misusing authority for personal corruption, denying people their liberties, attacking the opposition with violence, and there was nobody who could challenge her.
This is what terrorism is occupied with as well: making real, palpable violence surface in opposition to the invisible violence of security.
Before I met No I thought that violence meant shouting and hitting and war and blood. Now I know that there can also be violence in silence and that it’s sometimes invisible to the naked eye. There’s violence in the time that conceals wounds, the relentless succession of days, the impossibility of turning back the clock. Violence is what escapes us. It’s silent and hidden. Violence is what remains inexplicable, what stays forever opaque.
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