A Quote by Johann Wolfgang von Goethe
The little man is still a man.
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"Natural" man is always there, under the changeable historical man. We call him and he comes-a little sleepy, benumbed, without his lost form of instinctive hunter, but, after all, still alive. Natural man is first prehistoric man-the hunter.
In the graver and more sentimental communication of man and man, the head still bears the superior sway; in the unreserved intimacies of man and woman, the heart is ever uppermost. Feeling is the main thing, and judgment passes for little.
The Little Boy and the Old Man Said the little boy, "Sometimes I drop my spoon." Said the old man, "I do that too." The little boy whispered, "I wet my pants." I do that too," laughed the little old man. Said the little boy, "I often cry." The old man nodded, "So do I." But worst of all," said the boy, "it seems Grown-ups don't pay attention to me." And he felt the warmth of a wrinkled old hand. I know what you mean," said the little old man.
Biggest man law - be a man. Simple: be a man, definition of being a man is being a man. And don't let your woman turn you into a little boy.
You are different from the really great man in only one thing: The great man, at one time, also was a very little man, but he developed one important ability: he learned to see where he was small in his thinking, and actions. Under the pressure of some task which was dear to him he learned better and better to sense the threat that comes from his smallness and pettiness. The great man, then, knows when and in what he is a little man.
Reading maketh a full man; and writing an axact man. And, therefore, if a man write little, he need have a present wit; and if he read little, he need have much cunning to seem to know which he doth not.
I like a guy who is confident and easy-going, but a man who's a man, not a man who is a little boy. I like a man who is comfortable with himself.
I raised two sons, and I know that even though they're bigger and stronger than I am, they're still little boys inside. They still cry, they still hurt. So whenever I write a male character, no matter how 'heroic' he may be, I think of my sons. And I remember that every man was once a little boy.
A man who owes a little can clear it off in a very little time, and, if he is a prudent man, will; whereas a man, who by long negligence, owes a great deal, despairs of ever being able to pay, and therefore never looks into his accounts at all.
A mere literary man is a dull man; a man who is solely a man of business is a selfish man; but when literature and commerce are united, they make a respectable man.
The richest man in the world is not the one who still has the first dollar he ever earned. It's the man who still has his best friend.
After all the allowances are made for the necessity of having a few supermen in our midst - explorers, conquerors, great inventors, great presidents, heroes who change the course of history - the happiest man is still the man of the middle class who has earned a slight means of economic independence, who has done a little, but just a little, for mankind and who is slightly distinguished in his community, but not too distinguished.
The man who attracts attention is the man who is thinking all the time, and expressing himself in little ways. It is not the man who tries to dazzle his employer by doing the theatrical, the spectacular.
The traditional doctrine of man and not the measurement of skulls and footprints is the key for the understanding of that anthropos who, despite the rebellion of Promethean man against Heaven from the period of Renaissance and its aftermath, is still the inner man of every man, the reality which no human being can deny wherever and whenever he lives, the imprint of a theomorphic nature which no historical change and transformation can erase completely from the face of that creature called man.
I do not see in what way the face of a man should be a less interesting landscape than any other. A man, the physical person of a man, is a little world, like any other a country, with its towns, and suburbs.. ..As a rule what is needed in a portrait is a great deal of the general, and very little of the particular.
Yes, it's still a man's world, unfortunately, and we have a long way to go in this country and all countries - but there's something to be said for just feeling the spirit of a true man, and I think that's what 'Classic Man' speaks to.
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