A Quote by Johannes Brahms

What would become of all historical biography if it was written only with consideration for other peoples' feelings? — © Johannes Brahms
What would become of all historical biography if it was written only with consideration for other peoples' feelings?
Biography always has fulfiled this role. Robinson Crusoe is a biography, as is Tom Jones. You can go through the whole range of the novel, and you will find it is biography. The only difference between one example and the other is that sometimes it's a partial biography and sometimes it's a total biography. Clarissa, for example, is a partial biography of Clarissa and a partial biography of Lovelace. In other words, it doesn't follow Lovelace from when he is in the cradle, though it takes him to the grave.
It has not been possible to build that society. It set very high standards, because not only would life in the Soviet Union or in any other country which adopted that system, have to be just as good as in the Capitalist world, it would have to be better. So that other peoples, other nations would want to join it, and obviously we have failed in that.
When you read a history or biography you are entitled to imagine that it is as accurate as the authors can make it. That research has gone into it and we say "This is a history of the civil war, this is a biography of Lincoln" whatever. But you don't make any such supposition when you say "This is a historical novel."
Tomorrow, the Tripartite Pact will become an instrument of just peace between the peoples. Italians! Once more arise and be worthy of this historical hour! We shall win.
In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE FABRIC OF SPACE in the historical past, many of the other stories juxtapose fact-both historical and scientific-with narration to an engaging effect, one that distinguishes the voice of this new writer.
I do not wish you to act from these truths; no, still and always act from your feelings; only meditate often on these truths that sometime or other they may become your feelings.
The biography I've written about Wendy Wasserstein will almost invariably be different than the one anyone else would write.
In the present, the way benevolence is expressed is in conceptualizing the Native as a historical relic; US people have to be constantly reminded that there are still existent Indigenous peoples and communities in North America, but whether left or right, recent immigrant or descendants of settlers, even descendants of enslaved Africans, the Native presence is not a consideration in the day to day life of individuals and municipal, state and national governments.
The transgressive nature of biography is rarely acknowledged, but it is the only explanation for biography's status as a popular genre.
We don't recognize each other because other people have become our permanent mirrors. If we actually realized this, if we were able to become aware of the fact that we are only ever looking at ourselves in the other person, that we are alone in the wilderness, we would go crazy.
What a wee little part of a person's life are his acts and his words! His real life is led in his head, and is known to none but himself. All day long, the mill of his brain is grinding, and his thoughts, not those of other things, are his history. These are his life, and they are not written. Everyday would make a whole book of 80,000 words -- 365 books a year. Biographies are but the clothes and buttons of the man -- the biography of the man himself cannot be written.
My obsessions stay the same - historical memory and historical erasure. I am particularly interested in the Americas and how a history that is rooted in colonialism, the language and iconography of empire, disenfranchisement, the enslavement of peoples, and the way that people were sectioned off because of blood.
Friends, near or far, are important to us. All of ours have an awareness of other persons' feelings, a courtesy that's inevitable. When I find that consideration in a fan, I'm immediately impressed.
Most of us have jobs that require some handling of other peoples' feelings and our own, and in that sense, we are all partly flight attendants.
And if Henry Higgins is not the most reprehensible character ever written for the stage, that's only because somewhere, somehow, someone is composing a musical biography of Ronald Reagan
What I would like you always to do is what I try humbly to do myself, that is, never to say or to do anything which would wound the feelings or the self-respect of any human being, and to give special consideration to all who are in any way repressed.
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