A Quote by Johannes Kepler
Nothing which consists of corporeal matter is absolutely light, but that is comparatively lighter which is rarer, either by its own nature, or by accidental heat. And it is not to be thought that light bodies are escaping to the surface of the universe while they are carried upwards, or that they are not attracted by the earth. They are attracted, but in a less degree, and so are driven outwards by the heavy bodies; which being done, they stop, and are kept by the earth in their own place.
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Are not gross bodies and light convertible into one another; and may not bodies receive much of their activity from the particles of light which enter into their composition? The changing of bodies into light, and light into bodies, is very conformable to the course of Nature, which seems delighted with transmutations.
Do not Bodies and Light act mutually upon one another; that is to say, Bodies upon Light in emitting, reflecting, refracting and inflecting it, and Light upon Bodies for heating them, and putting their parts into a vibrating motion wherein heat consists?
In the case of those solids, whether of earth, or rock, which enclose on all sides and contain crystals, selenites, marcasites, plants and their parts, bones and the shells of animals, and other bodies of this kind which are possessed of a smooth surface, these same bodies had already become hard at the time when the matter of the earth and rock containing them was still fluid. And not only did the earth and rock not produce the bodies contained in them, but they did not even exist as such when those bodies were produced in them.
The changing of Bodies into Light, and Light into Bodies, is very conformable to the Course of Nature, which seems delighted with Transmutations.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
Do not great Bodies conserve their heat the longest, their parts heating one another, and may not great dense and fix'd Bodies, when heated beyond a certain degree, emit Light so copiously, as by the Emission and Re-action of its Light, and the Reflexions and Refractions of its Rays within its Pores to grow still hotter, till it comes to a certain period of heat, such as is that of the Sun?
Common sense tells us that the world is flat, that the sun goes around the earth, that heavy bodies always fall faster than light bodies, that boats made of iron will sink.
Driven by the forces of love, the fragments of the world seek each other so that the world may come into being. ... the universal gravity of bodies, ... is merely the reverse or shadow of that which really moves nature. Love in all its subtleties is nothing more, and nothing less, than the more or less direct trace marked on the heart of the element by the psychical convergence of the universe upon itself.
We find it hard to picture to ourselves the state of mind of a man of older days who firmly believed that the Earth was the centre of the Universe, and that all the heavenly bodies revolved around it. He could feel beneath his feet the writhings of the damned amid the flames; very likely he had seen with his own eyes and smelt with his own nostrils the sulphurous fumes of Hell escaping from some fissure in the rocks. Looking upwards, he beheld ... the incorruptible firmament, wherein the stars hung like so many lamps.
Bodies have their own light which they consume to live: they burn, they are not lit from the outside.
There are certain conceptual powers in this project, like the relationship of glass to sand, and the idea of putting glass back into the earth, which is where it comes from, which are related to the whole concept of I Am. So there's that one below-surface idea, and then there's these other practical and more pragmatic ideas about how the light functions and the geometry and mathematics behind the reverberation of light from the surface outward.
It is a grave injustice to a child or adult to insist that they stop crying. One can comfort a person who is crying which enables him to relax and makes further crying unnecessary; but to humiliate a crying child is to increase his pain, and augment his rigidity. We stop other people from crying because we cannot stand the sounds and movements of their bodies. It threatens our own rigidity. It induces similar feelings in ourselves which we dare not express and it evokes a resonance in our own bodies which we resist.
The way the universe evolves in consciousness of itself and causes itself to be. We are just this blessed consciousness, nothing more, nothing less. We are the light inside light that fuses into the atoms of our bodies; we are the fire that whirls across the stellar deeps and dances all things into being.
Bodies fall towards the earth as it is in the nature of the earth to attract bodies, just as it is in the nature of water to flow.
Either there are no corporeal substances, and bodies are merely phenomena which are true or consistent with each other, such as a rainbow or a perfectly coherent dream, or there is in all corporeal substances something analogous to the soul.
A rock or stone is not a subject that, of itself, may interest a philosopher to study; but, when he comes to see the necessity of those hard bodies, in the constitution of this earth, or for the permanency of the land on which we dwell, and when he finds that there are means wisely provided for the renovation of this necessary decaying part, as well as that of every other, he then, with pleasure, contemplates this manifestation of design, and thus connects the mineral system of this earth with that by which the heavenly bodies are made to move perpetually in their orbits.
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