A Quote by Johannes Stark
The question of the composition of perceptible objects is one which already occupied the mind of the ancient Greeks.
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In some exquisite critical hints on "Eurythmy," Goethe remarks, "that the best composition in pictures is that which, observing the most delicate laws of harmony, so arranges the objects that they by their position tell their own story." And the rule thus applied to composition in painting applies no less to composition in literature.
We look at the ancient Greeks with their gods on a mountain top throwing lightning bolts and say, 'Those ancient Greeks. They were so silly. So primitive and naive. Not like our religions. We have burning bushes talking to people and guys walking on water. We're ...sophisticated.'
The mind of the painter must resemble a mirror, which always takes the colour of the object it reflects and is completely occupied by the images of as many objects as are in front of it.
I believe in logic, the sequence of cause and effect, and in science its only begotten son our law, which was conceived by the ancient Greeks, thrived under Isaac Newton, suffered under Albert Einstein...
That fragment of a 'creed for materialism' which a friend in college had once shown him rose through Donald's confused mind.
Experts in ancient Greek culture say that people back then didn't see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love. Now people hear a commercial for sour cream potato chips and rush out to buy, but now they call this free will. At least the ancient Greeks were being honest.
The fundamental facts about the Greek was that he had to use his mind. The ancient priest had said, "Thus far and no farther. We set the limits of thought." The Greeks said, All things are to be examined and called into question. There are no limits set on thought.
Know that for the human mind there are certain objects of perception which are within the scope of its nature and capacity; on the other hand, there are, amongst things which actually exist, certain objects which the mind can in no way and by no means grasp: the gates of perception are closed against it.
Since the time of the ancient Greeks, we have always felt that there was a close relationship between a strong, vital mind and physical fitness.
The ancient Greeks, poets, authors and philosophers all puzzled over the question but nobody really knows what love is - including me. Longing for another person is an exciting mental experience.
What is remarkable about the Greeks - even pre-philosophically - is that despite the salience of religious rituals in their lives, when it came to the question of what it is that makes an individual human life worth living they didn't look to the immortals but rather approached the question in mortal terms. Their approaching the question of human mattering in human terms is the singularity that creates the conditions for philosophy in ancient Greece, most especially as these conditions were realized in the city-state of Athens.
Eratosthenes was the director of the great library of Alexandria, the Centre of science and learning in the ancient world. Aristotle had argued that humanity was divided into Greeks and everybody else, whom he called barbarians and that the Greeks should keep themselves racially pure. He thought it was fitting for the Greeks to enslave other peoples. But Erathosthenes criticized Aristotle for his blind chauvinism, he believed there was good and bad in every nation.
As sounds in a musical composition can be used not to express physical objects but ideas, emotions, harmonies, rhythmic orders and most any expression of the human mind and spirit, so light can be used visually to express the mind and spirit.
In the twenty-first century, the robot will take the place which slave labor occupied in ancient civilization.
In our will, there lives something which is perpetually observing us inwardly. It is easy to look upon this inner spectator as something intended to be taken pictorially; the spiritual investigator knows it to be a reality, just as sense-perceptible objects are realities.
Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.
The laws of thought are natural laws with which we have no power to interfere, and which are of course not to be in any way confused with the artificial laws of a country, which are invented by men and can be altered by them. Every science is occupied in detecting and describing the natural laws which are inflexibly observed by the objects treated in the Science.
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