A Quote by Johannes Stark

In my view the structure of the whole atom was that of an individual, with all its parts interconnected, and the emission of a spectral line appeared to me to be the result of the coherence and co-operation of several electric quanta.
BEAUTY will result from the form and correspondence of the whole, with respect to the several parts, of the parts with regard to each other, and of these again to the whole; that the structure may appear an entire and compleat body, wherein each member agrees with the other, and all necessary to compose what you intend to form.
By recognizing that the chemical atom is composed of single separable electric quanta, humanity has taken a great step forward in the investigation of the natural world.
An external electric field, meeting it and passing through it, affects the negative as much as the positive quanta of the atom, and pushes the former to one side, and the latter in the other direction.
Each emission of an alpha or beta ray accompanies the transmutation of an atom; the energy communicated to these rays comes from inside the atom.
Nowadays, the process of growth and development almost never seems to manage to create this subtle balance between the importance of the individual parts, and the coherence of the environment as a whole. One or the other always dominates.
The discovery of various phenomena has led to a recognition of the fact that the chemical atom is an individual which again is itself made up of several units into a selfcontained whole.
On the basis of Lorentz's theory, if we limit ourselves to a single spectral line, it suffices to assume that each atom (or molecule) contains a single moving electron.
The story is told of Lord Kelvin, a famous Scotch physicist of the last century, that after he had given a lecture on atoms and molecules, one of his students came to him with the question, "Professor, what is your idea of the structure of the atom." "What," said Kelvin, "The structure of the atom? Why, don't you know, the very word 'atom' means the thing that can't be cut. How then can it have a structure?" "That," remarked the facetious young man, "shows the disadvantage of knowing Greek."
Emergent properties result from interactions between individual parts, so it follows that a top down analytical approach that begins with the whole and dissects it into its constituent parts is bound to miss precisely those emergent properties
There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.
Even the structure of the atom has been found by the mind. Therefore the mind is subtler than the atom. That which is behind the mind, namely the individual soul, is subtler than the mind.
Whether that coherence obtains universally is a question that need not be answered here since only those parts where the coherence has actually been found become part of Science.
There is a coherence in things, a stability; something... is immune from change and shines out... in the face of the flowing, the fleeting, the spectral, like a ruby.
Proportion is that agreeable harmony between the several parts of a building, which is the result of a just and regular agreement of them with each other; the height to the width, this to the length, and each of these to the whole.
To me an anthology gives meaning to the phrase, "the whole is greater than the sum of its parts." Even if those individual parts are really f-ing hot.
To me, the coolest riffs are composed of two guitar parts that interlock like gears. You need both parts to make whole. I work things out on an electric that's not plugged in to make sure a good tone isn't forgiving a part that couldn't stand up naked. Only after the parts are written will I struggle to find a tone that supports the creativity.
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