As much as I converse with sages and heroes, they have very little of my love and admiration. I long for rural and domestic scene, for the warbling of birds and the prattling of my children.
Nothing humbles and breaks the heart of a sinner like mercy and love. Souls that converse much with sin and wrath, may be much terrified; but souls that converse much with grace and mercy, will be much humbled.
Our admiration is so given to dead martyrs that we have little time for living heroes.
The birds never needed passports... We always thought, the birds can go wherever they want, and we couldn't, really. The birds were very much the symbol of... free movement for me.
Risky, thought Paul D, very risky. For a used-to-be-slave woman to love anything that much was dangerous, especially if it was her children she had settled on to love. The best thing, he knew, was to love just a little bit, so when they broke its back, or shoved it in a croaker sack, well, maybe you'd have a little love left over for the next one.
I love working with teachers and principals; they are my heroes. They are very dedicated to children, and it's very impactful.
I think it's much harder to have a long dialogue scene than an action scene. An action scene is long, but it's not really hard. It's kind of boring, really. It looks good at the end, but to shoot it, it's not the most exciting thing.
Love is done when Loves begun, Sages say, But have Sages known?
Out of the sky, the birds, the parrots, the bells, silk, cloth, and drums, out of Sundays dancing, children's words and love words, out of love for the little fists of children, I will build a world, my world with round shoulders.
The little smiling cottage! where at eve
He meets his rosy children at the door,
Prattling their welcomes, and his honest wife,
With good brown cake and bacon slice, intent
To cheer his hunger after labor hard.
Amory Lovins says the primary design criteria he uses is the question How do we love all the children? Not just our children, not just the ones who look like us or who have resources, not just the human children but the young of birds and salmon and redwood trees. When we love all the children, when that love is truly sacred to us in the sense of being most important, then we have to take action in the world to enact that love. We are called to make the earth a place where all the children can thrive.
The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."
It's an interesting thing to play the heroes of our society, like cops and firefighters. They're the basic heroes that, as little boys and little girls, you look up to as the first heroes of your small, specific community.
One thing I've learned, in the face of all kinds of indignities, domestic workers take so much pride in their work and love the children they care for.
That man's best works should be such bungling imitations of Nature's infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.
Wild geese have so much less fat than their domestic brethren that, as far as the kitchen is concerned, the two birds should be considered different species altogether - so much so that they require opposite roasting methods.
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.