A Quote by John Ajvide Lindqvist

Who can really say how decisions are made, how emotions change, how ideas arise? We talk about inspiration; about a bolt of lightnng from a clear sky, but perhaps everything is just as simple and just as infinitely complex as the processes that make a particular leaf fall at a particularmoment. That point has been reached, that's all. It has to happen, and it does happen.
I had a big fight about how to make something come into the real, to make it physical. It sounds really antique, but it's a question of, how do I make this idea happen? You can't just will it into existence. You have to educate, you have to persuade, you have to seduce, you have to do all this stuff to make something three-dimensional and happen. It's not just a concept. It's actually a reality.
About the book of Job: If it were today, God might be asking "How does DNA carry traits? How are instincts passed on in animals? How does consciousness arise in the human body and brain, and what is consciousness? What is dark matter? How did the big bang happen? Why does the speed of light appear to be absolute? Is cold fusion possible? How do you program a TV remote control?
Rewriting isn't just about dialogue, it's the order of the scenes, how you finish a scene, how you get into a scene. All these final decisions are best made when you're there, watching. It's really enjoyable, but you've got to be there at the director's invitation. You can't just barge in and say, "I'm the writer."
Those are the stakes that are constantly there and how do those stakes change you? How does that change the person you are? If it does just turn out to be about survival then is that living? How does that make you, you? How does that change your identity? That picture of the governor, his wife, and his daughter, he wasn't that guy before this all started. People dying around him changed him into that.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
Of course there must be lots of Magic in the world," he said wisely one day, "but people don't know what it is like or how to make it. Perhaps the beginning is just to say nice things are going to happen until you make them happen. I am going to try and experiment.
You don't really want to talk about 'Duke' in terms of, how many levels are there, how many guns does it have, how many monsters... It's got everything it needs in terms of that, but it's always been about the experience.
I think people sometimes get the wrong impression when they're like, Oh, well, so-and-so was straight and then she was gay, and now she's straight again, you know? But it's like, how many times do I have to kiss a woman before I'm gay? Everybody wants to label people. Sometimes you just fall in love with somebody, and you're really not thinking about what gender or whatever they happen to be. It think that if I happen to fall in love with a woman, everyone's going to make a big deal out of it. But if I happen to fall in love with a man, nobody cares.
Just thinking about that, if that were to really happen, if an alien were to come down and really abduct you, how terrifying and how earth-shattering would that be? Your whole world is just destroyed. God is destroyed. It's kind of a fascinating thing to think about.
When you face a creative change at the house, you have to start a dialogue, and talk with the designer about how he envisions the brand to make sure that you're on the same page. It's the way the designers talk about the brand, and what they see, and their emotions, how they perceive the house.
By the laws of statistics we could probably approximate just how unlikely it is that it would happen. But people forget especially those who ought to know better, such as yourself that while the laws of statistics tell you how unlikely a particular coincidence is, they state just as firmly that coincidences do happen.
Fighting really does reveal everything to the other guy. It's not just about who can beat up to or who's tougher, it's who bullies who and who goes easy on who. You change from opponent, so it's about how you deal with a challenge and how you deal with a guy who you can handle easily.
I feel like everything does happen for a reason, and I can totally look back on my career and the decisions I've made and how it sort of worked itself out.
Abolition didn't just happen - people made it happen. Women's suffrage didn't just happen - people made it happen. Civil Rights legislation didn't just happen - people made it happen. And marriage equality didn't just happen, either - people made it happen.
By the end of the documentary [ '13th'], you really understand what prison is, what the prison industrial complex is, where this whole Black Lives Matter movement comes from, the history of resistance, the history of how politicians have used criminality over the decades for a particular political gain. It's to give people an understanding of it so they can make their own decisions about how they want to be in the world.
Earthquakes just happen. Tornadoes just happen. Your tongue does not just happen to fall into some other girl's mouth!
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