A Quote by John Ashbery

I don't look on poetry as closed works. I feel they're going on all the time in my head and I occasionally snip off a length. — © John Ashbery
I don't look on poetry as closed works. I feel they're going on all the time in my head and I occasionally snip off a length.
If I feel physically as if the top of my head were taken off, I know that is poetry.
If I read a book and it makes my whole body so cold no fire can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?
Writer’s block results from too much head. Cut off your head. Pegasus, poetry, was born of Medusa when her head was cut off. You have to be reckless when writing. Be as crazy as your conscience allows.
The bottom line is that most cycling kit exists for a reason. The padded shorts, for example, might look silly, but if you are riding for any length of time on a small, thin saddle you are going to feel it.
By definition, poetry works with qualities and dynamics that mainstream society is reluctant to face head-on. It's an interesting phenomenon that by necessity, poetry is just below the radar.
I'm not going to throw up or over-exercise myself into oblivion to look like a model. People tell me, 'You'd work all the time if you just lost twenty pounds.' What am I going to do, cut off my head?!
All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings of a bunch of balloons. Everything that made me who I was - my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self - disconnected from me in that second - snip, snip, snip - and floated up into space.
I thank the Lord for the brain He put in my head. Occasionally, I love to just stand to one side and watch how it works.
...for the first time in my life, a voice went off in my head:'You have no power over what happens in your life. Drugs dictate exactly what you're going to do. You've taken your hands off the steering wheel, and you're going wherever the drug world takes you.' That had never changed. The feeling would well up inside of me, and no matter how much I loved my girl or my band or my friends or my family, when that siren song 'Go get high now' started playing in my head, I was off.
In one session, I saw a lady and a man learn to swim for the first time. Within an hour, the man swam front crawl for half a length, and the lady finished a full length with her head under water.
The difference between the big budget films I've done is the length of time. But in terms of the day-to-day, you're still going on to set, you're getting into character, and you're going and doing your job, so there's absolutely no difference. It's just the structure around it and the length of time. But in terms of budget and money, it doesn't really manifest itself.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
There are occasionally eureka moments - off the top of my head, maybe Darth Vader's theme, you know, the imperial march.
I go into it with the attitude that I'm not going to look at my leg, and as soon as they get the wrapping off of it, I'm like, 'I've got to look.' It's like yelling at a dog going, 'Squirrel!' I cannot not look. And then I spend the rest of the time sitting there with a wet washcloth on my forehead trying to regain consciousness.
I write poetry to figure things out. Any time I’m trying to wrap my head around something, poetry is like a puzzle-solving strategy for me.
I feel that poetry is going on all the time inside, an underground stream.
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