A Quote by John Assaraf

Here's the problem. Most people are thinking about what they don't want, and they're wondering why it shows up over and over again. — © John Assaraf
Here's the problem. Most people are thinking about what they don't want, and they're wondering why it shows up over and over again.
Don't worry over what other people are thinking about you. They're too busy worrying over what you are thinking about them. If one dream should fall and break into a thousand pieces, never be afraid to pick one of those pieces up and begin again.
If you say city to people, people have no problem thinking of the city as rife with problematic, screwed-up people, but if you say suburbs - and I'm not the first person to say this, it's been said over and over again in literature - there's a sense of normalcy.
I don't wanna keep playing the same song over and over again. It's just thinking about "what's going to be the coolest thing to play on this particular show?" The easiest thing to do is to play the single over and over again.
I've said multiple times, over and over and over and over and over and over and over and over again that I want to play for one team my whole career.
It's not enough to have a few women's studies courses. Why is it more important to study Paul Revere's midnight ride than it is Susan B. Anthony's 50-year effort to transform the face of America for women? When you're in school, most of the events you study are about men. Men's activities lauded and repeated over and over. What about us? What about commemorating the decades-long struggle for suffrage? Why don't we hear those stories over and over and over again. It's almost inconceivable for men to understand what it would be like to live without that constant valorization.
Most people who have a problem concentrate on the problem. They take it to bed with them and stay awake all night thinking it over. Let go of that problem. Rise above it in consciousness.
I don't ever want to get boxed in, playing the same characters, over and over again. That's why I prefer features over television.
In all my work, I try to tell great stories that people want to go to the movie theater to watch, or want to turn on, and are compelled to watch it, over and over and over again, and will make a mark when they grow up.
What sex gives you momentarily is the total abandonment of yourself, then you are back again with your turmoil, so you want a repetition over and over again of that state in which there is no worry, no problem, no self.
That literary-popular distinction is, in my view, vastly overstated. At the far poles there are clearly books that are purely commercial and purely literary, written for audiences that want to see the same thing enacted over and over and over again. But the middle is where most people read and most people write.
It's assumed that if you're a woman, you want to be the prettiest version of yourself. It always put me in a bad mood. It was like, "OK, I'm successful. I'm supposed to be happy. Well, why aren't I happy?" Part of the problem was that my looked-at-ness had become a priority over my art making. Over and over again it was like, "I don't have time for this. I want to work." I love writing. I don't love somebody putting false eyelashes on me.
The regular division of the plane into congruent figures evoking an association in the observer with a familiar natural object is one of these hobbies or problems...I have embarked on this geometric problem again and again over the years, trying to throw light on different aspects each time. I cannot imagine what my life would be like if this problem had never occurred to me; one might say that I am head over heels in love with it, and I still don't know why.
I was mad about the theatre growing up, really mad. We had a local theatre, the Torch, and I used to usher there. I would see the shows over and over again.
Any time you're making a movie, all you want to do is reduce the variables of things that could possibly go wrong. I think that's why we work with the same people over and over again.
I want to work on projects that I feel passionate about and do things that are fun and challenging. I would love to do a live musical. I'm not interested in doing the same thing over and over or the fame and exposure that comes with it. When people keep doing that, they just end up doing the same dumb stuff again and again.
So often, I think shows get into these grooves where they know the characters hit, and they just write for it over and over and over again.
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