A Quote by John Astin

There is something good about the character of Gomez. I wouldn't trade the association with him for anything or any role that I might have missed. — © John Astin
There is something good about the character of Gomez. I wouldn't trade the association with him for anything or any role that I might have missed.
The feedback that I get from my association with Gomez is heartwarming. It is very difficult for me to take anything but a positive view of the Gomez phenomenon.
It's not fair that our name can be used in any newspaper, any article connected with anything, and we can't really fight about it. It's like any newspaper that might take a picture of you, bad or good, and sometimes they're awful pictures, and they can use them without your approval and you can't do anything about it.
I knew, in the silence that followed, that anything could happen here. It might be too late: again, I might have missed my chance. But I would at least know I tried, that I took my heart and extended my hand, whatever the outcome. "Okay," he said. He took a breath. "What would you do, if you could do anything?" I took a step toward him, closing the space between us. "This," I said. And then I kissed him.
What I look for in any character, good or bad, is whether I can hear him speak. If I can imagine him that clearly, then I can write about him.
I've missed the association with players and coaches but haven't missed the recruiting and the travel.
I don't know anything about CM Punk. I'd never even heard of him until he was mentioned in UFC. I wouldn't know him if I walked past him in the street, I don't know... he might be a good wrestler but there are people in the UFC who are just good wrestlers.
With all their faults, trade unions have done more for humanity than any other organization of men that ever existed. They have done more for decency, for honesty, for education, for the betterment of the race, for the developing of character in men, than any other association of men.
A painter is always overjoyed when anybody pays any attention to him at all, puts him in any category, calls him anything - as long as they call him something.
I made a good association with Karan Johar. If I want anything, I think I can ask him. He has helped us a lot.
I'm very much into the costuming of any character that I portray and it's one of the great things about making movies is it's a collaborative art form so you get all these artists who are looking specifically about for this instance your character's costume and what that might tell about your character.
Music in a movie might tell you about longing. It might tell you about fear. It might tell you any number of things, but it tells you something different. Something happy might be going on, but there can be this little sad tinge underneath that tells you something.
I actually take images of things and put them up around the wall and in a room. I set a room aside. It might be colors, it might be animals, or energy and words. And I'll just leave it there, so it begins to work on my subconscious when I think about the character. Which gives me some latitude to be really flexible and spontaneous but within the context of the character and the world of the character without having to think about it. Or I'll look at something or read something and let it work on my subconscious mind.
There is a perfectly good alternative to the European Union - it is called the European Free Trade Association, founded in 1960. Switzerland, Norway, Iceland and Liechtenstein are members. E.F.T.A. stands for friendship and cooperation through free trade.
I think it's a pity for him that my father didn't have the pleasure of seeing me grow up. I think he missed out on something. But it doesn't matter. It's boring. I don't have any anger about it.
People tend to think about trade as if it's competition between companies - if Apple wins, Google loses. But that's false. Trade makes nations better off in general. Now, I want to be clear. I'm not saying that everything about trade is good and beneficial. Trade also has costs.
I believe a good writer can write a good book with any sort of character, in any sort of setting, but I prefer to write about the outsider. It might just be because I've been one (or perceived myself to be one) for so much of my life. But the simple fact of being marginalized immediately brings conflict to a story before the narrative even begins, and that's gold for a writer because it means that your character already has depth before events begin to unfold.
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