A Quote by John Astin

My work is to reach people with ideas, hopes, dreams, encouragement, insight, and revelation. That's what an actor wants to do. — © John Astin
My work is to reach people with ideas, hopes, dreams, encouragement, insight, and revelation. That's what an actor wants to do.
Absolutely. I think, I think the American people, at their core, are a decent people. I think that we still have prejudice in our midst, but I think that the vast majority of Americans are willing, are willing to judge people on the basis of their ideas and their character. And in the case of the presidency, I think what's most important is whether the American people think that you understand their hopes and dreams and struggles and whether they think you can actually help them achieve those hopes and dreams.
The secret to global investing is gaining an insight into the hopes and desires of the people who live and work in the countries you invest in.
Medals are great encouragement to young men and lead them to feel their work is of value, I remember how keenly I felt this when in the 1890s. I received the Darwin Medal and the Huxley Medal. When one is old, one wants no encouragement and one goes on with one's work to the extent of one's power, because it has become habitual.
Ultimately, our ideas about robots are not about robots. The robot is a canvas onto which we project our hopes and our dreams and our fears... they become embodiments of those hopes and dreams and fears.
A word of encouragement from a teacher to a child can change a life. A word of encouragement from a spouse can save a marriage. A word of encouragement from a leader can inspire a person to reach her potential.
The work of an advertising agency is warmly and immediately human. It deals with human needs, wants, dreams and hopes. Its 'product' cannot be turned out on an assembly line.
I am a firm believe in the power of dreams, because the world is basically one giant realization of people's collective dreams come true. We need to dream to aspire to do something that keeps us striving. But those dreams and ideas and wants mean nothing without execution, which doesn't usually happen without a plan.
Dying makes everyone weaker, subject to painful insight, and not always insight into any kind of special truth - it's just the approaching end that makes people want to believe they are seeing something in the line of a great revelation.
My mind wants to interpret All my dreams. My heart wants to love All my dreams. My soul wants to fulfil All my dreams.
We should never, never be afraid or ashamed about dreams. The dreams won’t all come true; we won’t always make it; but where there is no vision a people perish. Where people have no dreams and no hopes and aspirations, life becomes dull and a meaningless wilderness.
There is only one Art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth. ... Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.
All of the great ideas, without action, become stale and useless. The key to turning dreams into reality is action. People who have great ideas are a dime a dozen. People who act on their dreams and ideas are the select few, but they are the ones who gain the wealth, wealth and wisdom that is available. Someone will act today. Let it be you.
That's the power of great insights. Insights, not ideas. There's a difference. Ideas, valuable though they may be, are a dime a dozen in business. Insight is much rarer -- and therefore more precious. In the advertising business, a good idea can inspire a great commercial. But a good insight can fuel a thousand ideas, a thousand commercials.
Hope your wildest hopes, dream your maddest dreams, imagine your most fantastic fantasies. Where your hopes and your dreams and your imagination leave off, the love of my Heavenly Father only begins.
I remember when I worked with Fassbinder in Germany, actors wrote letters to him. But you see, a director wants to discover you himself. He doesn't want the actor to say, 'oh, I'd love to work with you' - the actor says that to other people, too.
Two diverse gates there are of bodiless dreams, These of sawn ivory, and those of horn. Such dreams as issue where the ivory gleams Fly without fate, and turn our hopes to scorn. But dreams which issue through the burnished horn, What man soe'er beholds them on his bed, These work with virtue and of truth are born.
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