A Quote by John Astin
I love to play for audiences that are simply made of people rather than so-called special people.
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I think that with piracy and tighter funds being around, people are realising that the game to play is to try and win people's respect with bold film making and then win a special place in people's collections, rather than just having the biggest opening weekends.
I'd rather be called a boy and play with paper airplanes than be called a man and play with a girl's heart.
I find it very strange when people say that they are trying to solve 'Uncle Vanya' or find a solution for 'Henry V.' Plays aren't puzzles. They are about playing. But so much theatre has become about performing and acting rather than playing, which is a great pity because audiences are captivated by watching people play.
All people are special, and all moments are golden. There is no person and there is no time more special than another. Many people choose to believe that God communicates in special ways and only with special people. This removes the mass of the people from responsibility for hearing God's message, much less receiving it (which is another matter), and allows them to take someone else's word for everything.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
I'd rather play with 10 people and just get penalized all the way until we have to do something else rather than play with 11 when I know that right now that person is not sold out to be a part of this team.
Unlike what most people think, entrepreneurs are not special people who know how to do special things that others don't. Entrepreneurs can be made, because we're all born with the potential - that special human quality - to create.
People should be called the way that they want to be called rather than us coming up with terms that maybe we're more comfortable with.
You are always hoping that movie audiences are interested in characters and interested in story values rather than just mindless special effects. But you never know.
I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
There seems to me to be something admirable, indeed noble, about the people arguing over Richard III. They're doers rather than naysayers, romantics rather than realists, people looking for meaning rather than numbness.
There are some people—people the universe seems to have singled out for special destinies. Special favors and special torments. God knows we're all drawn toward what's beautiful and broken; I have been, but some people cannot be fixed. Or if they can be; its only by love and sacrifice so great that it destroys the giver.
I made one rule for myself, and I really try to live it: Play music you love, with people you love, for people you love. If I can't be that kind of musician, I'll drive a cab.
I'd rather have people dislike my style than change it. If someone says, 'Hey, Yngwie, you play too damn much,' I don't care. They way I play is the way I like to play. If people like it, great. If they don't, it's still fine with me.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
Watching first nights, though I've seen quite a few by now, is never any better. It's a nerve-racking experience. It's not a question of whether the play goes well or badly. It's not the audience reaction, it's my reaction. I'm rather hostile toward audiences?I don't much care for large bodies of people collected together. Everyone knows that audiences vary enormously; it's a mistake to care too much about them. The thing one should be concerned with is whether the performance has expressed what one set out to express in writing the play. It sometimes does.
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