A Quote by John August
Like Frankenweenie is a story about a boy and his dog, Big Fish is the story of a father and his son, and all those conversations you can't have. It's universal, in a way that can go from one medium to another medium. That's been the funnest, figuring out what we can do in a Broadway show that's unique and special.
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'East of Eden' is an important story for me. It's about a kid that's misunderstood and feels like he's not loved by his father. It's a very father-son kind of story, and it's not until the end that they sort of make up. I like that because every boy has trouble with his father, so it's very relatable.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
Cinema is a director's medium; it's his story and his vision. If it's a good story, people will connect to it.
Motion pictures are a director's medium. Broadway is a writer's medium. Television is a producer's medium. I picked a medium I could control.
I tried to stick to my game plan, which was always being aware of what my A story was - the love story between a father and his son, and that son and his daughter.
The thing is that my father's story helps to communicate what was at stake with my mother, and my mother and father had so much a partnership that his story is integral to her story, as her story is to his - really, her story can't be told without his story.
He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.
I've been in leadership roles on Broadway, and it's one thing to lead a Broadway company - you're with those people for a year straight, and you're doing that same show, eight shows a week. It's quite another when you carry on the story... You go beyond that, and you ride the wave of a character.
Film as a medium, like a novel as a medium, possesses a unique ability to communicate. Film is capable of communicating in a way that no other medium can, and I would say the same for the novel.
I woke up one day and there were loads of calls on my phone. My best friend was like: bro, go to Drake's Instagram. So I went and saw my big head on there, a picture and a caption or whatever, and it was 'Top Boy' related. Long story short: we got in contact and had a few conversations about him being a big fan of the show.
My father expected his first child to be a boy, and when it didn't turn out that way he didn't let the fact get in the way of a good story.
My son is 14, and I only have this time with him. True, it's not like before when I couldn't explain to a little boy why I can't read him his bedtime story six nights a week. And he's even said to me, 'Mom, if you want to do a show somewhere, you should go.'
It's my story ["Selling Isobel"].I chose to write a screenplay about it because I think film is the quickest medium to get a story out, rather than writing a book.
People talk about medium. What is your medium? My medium as a writer has been dirt, clay, sand--what I could touch, hold, stand on, and stand for--Earth. My medium has been Earth. Earth in correspondence with my mind.
A story must be told in such a way that it constitutes help in itself. My grandfather was lame. Once they asked him to tell a story about his teacher. And he related how the holy Baal Shem used to hop and dance while he prayed. My grandfather rose as he spoke, and he was so swept away by his story that he himself began to hop and dance to show how the master had done. From that hour he was cured of his lameness. That's how to tell a story.
When I was writing the book, I thought "Who wants to hear another story about some actor who lost his way?" But my story is a little unique in that I realized when I was 14 years old that I was different. I think a lot of gay people use drugs and alcohol to quell that fear and shame - especially people of my age.
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