A Quote by John Banville
When you're writing there's a deep, deep level of concentration way below your normal self. This strange voice, these strange sentences come out of you.
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You men do not understand the delights of a glance, of a pressure of the hand... but as for me, I swear to you that, when I listen to your voice, I feel such a deep, strange bliss that the most passionate kisses could not take its place.
What I'm really involved in when I'm writing is something that no one ever mentions when they see any play. Writing is like trying to make gunpowder out of chemicals. You have these words and sentences and the strange meanings and associations that are attached to the words and sentences, and you're somehow cooking these things all up so that they suddenly explode and have a powerful effect. That's what absorbs me from day to day in writing a play.
I don't think you get to good writing unless you expose yourself and your feelings. Deep songs don't come from the surface; they come from the deep down. The poetry and the songs that you are suppose to write, I believe are in your heart.
Self-knowledge is essential not only to writing, but to doing almost anything really well. It allows you to work through from a deep place - from the deep, dark corners of your subconscious mind.
I'm sure that writing isn't a craft, that is, something for which you learn the skills and go on turning out. It must come from some deep impulse, deep inspiration. That can't be taught, it can't be what you use in teaching.
White supremacy is not confined to strange men in the Deep South who put on white cloaks, it is not confined to strange gatherings of the English Defence League.
While I did a lot of research, I ended up feeling that the best way to write about grief was to describe it from the inside out - the show the strange intensities that come along with it, the peculiar thoughts, the longing for that past - all the strange moments of thinking you glimpse the dead person on the street, or in your dreams.
Life is the most exciting opportunity we have. But we have one shot. You graduate from college once, and that's it. You're going out of that nest. And you have to find that courage that's deep, deep, deep in there. Every step of the way.
With voice acting it just matters what your voice can do. There are some things that I won't get over other people because my register isn't as deep as other people. So if someone wants a deep, dark, brooding villain voice then they are probably not going to pick me.
I am temperamentally drawn to work that shoves the strange and normal against one another, it's true, although I don't see the 'strange' and the 'normal' as being two separate categories of experience; for me, they are intertwined, hard to separate.
I like to say that while antimatter may seem strange, it is strange in the sense that Belgians are strange. They are not really strange; it is just that one rarely meets them.
Strange bent over these things, with a concentration to rival Minervois's own, questioning, criticizing and proposing. Strange and the two engravers spoke French to each other. To Strange's surprize Childermass understood perfectly and even addressed one or twoquestions to Minervois in his own language. Unfortunately, Childermass's French was so strongly accented by his native Yorkshire that Minervois did not understand and asked Strange if Childermass was Dutch.
If you look at our current technology level, something strange has to happen to civilisations, and I mean strange in a bad way. And it could be that there are a whole lot of dead, one-planet civilisations.
Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.
There is no crime greater, or more worthy of punishment, than being strange and frightened among the strange and frightened; except assimilation to the end of becoming strange and frightened, but apart from ones own real self.
A stranger here Strange things doth meet, strange glories see; Strange treasures lodged in this fair world appear, Strange all, and new to me. But that they mine should be, who nothing was, That strangest is of all, yet brought to pass.
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