A Quote by John Barrowman
What I can say that's different in American television... in Britain, they wouldn't cancel something after a couple of episodes. In the States they would. They would just decide it's not working, take it off and put something else in on the fall schedule.
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What I can say that's different in American television… in Britain, they wouldn't cancel something after a couple of episodes. In the States they would. They would just decide it's not working, take it off and put something else in on the fall schedule.
It's no accident that Julia Child appeared on public television - or educational television, as it used to be called. On a commercial network, a program that actually inspired viewers to get off the couch and spend an hour cooking a meal would be a commercial disaster, for it would mean they were turning off the television to do something else.
My initial fear was that Trump would be something in the order of an American fascist, be militaristic and aggressive. My take on it after the first 100 days is that he's dangerous in a different way. Fascists are dangerous because they're competent people. Trump is incompetent. My fear is not just as an American Muslim, although that's part of it, but as an American who believes very strongly in the idea of a pluralistic, cosmopolitan, transatlantic Western identity. What he's doing to the West and the United States, I don't think the U.S. can recover from this.
If you're worried about messaging, people will just move to something else. You know if you legislate against Facebook and Apple and Google and whatever else in the US, they'll just use something else. So are we really safer then? I would say no. I would say we're less safe, because now we've opened up all of the infrastructure for people to go wacko at.
Working with different people and do things that normally I would not do makes the music interesting for me to continue. It keeps me alive. When I'm doing something alone, that is mine, I know how it is. But when I'm working with someone else, I also see the view from the other, and usually learn something new, try something different. This is very important to my happiness.
If you put me in charge of the medical research budget, I would cancel all primary research, I would cancel all new trials, for just one year, and I would spend the money exclusively on making sure that we make the best possible use of the clinical evidence that we already have.
Just how destructive does a culinary preference have to be before we decide to eat something else? If contributing to the suffering of billions of animals that live miserable lives and (quite often) die in horrific ways isn't motivating, what would be? If being the number one contributor to the most serious threat facing the planet (global warming) isn't enough, what is? And if you are tempted to put off these questions of conscience, to say not now, then when?
Anybody doing something brings something to it. It's not for me to say if it's "growth". Just by the nature of everyone has a different take on the material. Some people would.
I have visions and ideas about different things. Other actors just inspire you, so writing is something I would love to do more of. I would really be interested in doing something in that vein, writing something for myself or someone else and directing for sure.
I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.
I worked with the late Leonard Frey. I did a play, and I would have these ideas and he would say, "I don't know. Try it." And I would try it and it would be awful, and he would go, "What do you think?" And I would go, "It was awful." And he goes, "Okay, we'll try something else." And that's great because it really makes you feel less working-for and more working-with. There's nothing better than to feel a part of the team.
If you're doing an indie and you have time, sometimes you can do take after take after take, but if you're working in television on that filming schedule, you don't always have the time to do that. You learn very quickly, I think, how essential it is to come in with the strongest choice that you have.
Have four things going. I have stand-up comedy, two television shows and I'm working on a play. I like to work, and I fear that something could fall through. You know what they say: 'The show must go off.
Have four things going. I have stand-up comedy, two television shows and I'm working on a play. I like to work, and I fear that something could fall through. You know what they say: 'The show must go off.'
I've fought a couple different places in the world. I love America, I'm American, but I have to say that American fans are the worst. I have to say it. They can get mad at me. I said it, and it's something they can work on.
Another way to put an end to self-rejection is ask yourself whether what you're telling yourself is what a friend would say, or what an enemy would. Friends are supportive. Enemies put us down and undermine our confidence. So if you say something that an enemy would say, stop. Answer back, 'I'm going to be supportive of myself. As a friend, what I have to say to myself is . . .' Then say something supportive.
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