A Quote by John Barry
Occasionally, you get a nice surprise when someone covers your song in an extraordinary way.
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I think all the covers I do have nice sentiments, particularly 'Your Song.' People write me very sweet messages about that song, though I'm sure there are people out there saying that I've ruined it too!
In terms of covers, it's always nice to do ones that aren't actually getting played by the original artist anymore. I just love the song; I love that band, and it's nice to be able to play it.
I can't get on girls' wavelengths at all. I think we are completely different. I don't know, maybe that's the way it should be. If we could all get along occasionally though, that would be nice.
I tend to play covers when I'm gearing up for creating new song. Singing other people's songs is a way that I get inspired.
It's always flattering when someone covers a song. I mean, when you're a young band, and you're unsigned - to think that someday people would want to cover one of your songs - it's just mind-blowing.
It's not fun to get out of bed early in the morning. When the alarm goes off, it doesn't sing you a song: it hits you in the head with a baseball bat. So how do you respond to that? Do you crawl underneath your covers and hide? Or do you get up, get aggressive, and attack the day?
Here's the way the licensing works ... If you write a song, nobody can record your song before you do without your permission. But, once the song is recorded, they can get what's called a 'compulsory license', and they can record the tune, but they have to pay you royalties.
I don't mind being stereotyped in some way and playing certain kinds of guys, but if I can find something to occasionally get a break from that, that would be nice. And I feel like I manage to.
Talking about covers, whether visually or sonically, if a particular combination of notes struck a chord in your heart in a way that you want to be a part of it by covering that song, then there's nothing wrong with it.
Ah, to be a bird. To fly the skies, sing my song, and best of all occasionally peck someone's eyes out.
No matter which way you do it you need to make something happen and get a song that makes you feel a certain way, whether that's making you tap your foot or beat someone up or whatever you're doing, you just need some passion about it.
One of the most amazing things about 'Crazy Ex-Girlfriend' is that every song is an original. There are no covers. I think 'Glee' had to deal with forcing covers into their plotlines. That can be difficult to pull off.
It's always nice to be able to capture your life's experiences in a song and hold the emotion in that way.
The notoriety you get from when your song is on the radio versus when your song is on a mixtape is two completely different things. And when you get a song get big enough to where it gets played on two stations at the same time in the same city, you're like, 'Damn!'
This is a song called 'The Kill.' But don't be scared, it's a nice song. About losing your mind.
Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.
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