A Quote by John Battelle

Drones ply the liminal space between the physical and the digital - pilots fly them, but aren't in them. They are versatile and fascinating objects - the things they can do range from the mundane (aerial photography) to the spectacular - killing people, for example.
For example, Michael Mann's film Collateral - there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.
I'm interested in businesses that take digital bits and turn them into interfaces for physical atoms. I'm also interested in drones, Bitcoin, and 3D printing.
I cannot grasp the difference between killing people with drones or rifles and knives. The objective in war is to kill the enemy before he kills you. I can't fathom the almost religious zeal with which the use of drones is being opposed.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
What I do know is that drones are a modern weapon. When used effectively, when taking out ISIS or terrorist leaders, that's pretty impressive. When bombing wedding parties of innocent people and killing dozens of them, that is, needless to say, not effective and enormously counterproductive. So whatever the mechanism, whoever is in control of that policy, it has to be refined so that we are killing the people we want to kill and not innocent collateral damage.
The way that light hits objects in life, three-dimensional objects before you photograph them, is really the story of photography.
Even the most mundane objects are things of wonder, if we stop to look at them, and the fact that we are alive is the biggest wonder of all.
My mentor in college was Stephen Shore. I loved his color palettes and his taking mundane things but finding them fascinating.
In these night recitations we create a space between things as we felt them at the time and as we speak them now. This is the space reserved for irony, sympathy and fond amusement, the means by which we rescue ourselves from the past.
Once you let people know anything about what you think, that's it, you're dead. Then they'll be jumping about in your mind, taking things out, holding them up to the light and killing them, yes, killing them, because thoughts are supposed to stay and grow in quiet, dark places, like butterflies in cocoons.
Macroscopic objects, as we see them all around us, are governed by a variety of forces, derived from a variety of approximations to a variety of physical theories. In contrast, the only elements in the construction of black holes are our basic concepts of space and time. They are, thus, almost by definition, the most perfect macroscopic objects there are in the universe.
I've actually done three pilots for Disney. I met with the network when I was 16 years old and had just started acting. I would fly to Los Angeles to film pilots, then fly back to Dallas, where I grew up.
I’ve always tried to find God in lots of different things, whether that’s been drugs, women, etc, etc… But all those things are tangible and they exist and you can see them and you can feel them. Music doesn’t exist, physically. Yet is commands ever facet of my personality and it has the power to command people how to feel on a physical level, uncontrollably. And I find that so fascinating.
As I currently explore things like augmented and virtual reality, I constantly bring us back to actual bodies in space, real dancers that have physical manifestations not just phantoms that exist in digital space.
Being a sculptor who uses found objects, all the objects I use in my work have been designed by other people. So I'm tweaking them in some way by squashing them or throwing them off cliffs! Then I formalise my damage by suspending them or arranging them in some kind of way. So I'm using other people's design in a way, so I'm an 'un-maker.'
We have these words 'space' and 'time,' but you can't touch them. They're not objects, they're not things, they go forever. Space and time are really tools of animal sense perception, the way we organize and construct information.
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