A Quote by John Bel Edwards

Louisiana has a storied history in filmmaking, with one of the world's most diverse settings for cinematic and television productions. — © John Bel Edwards
Louisiana has a storied history in filmmaking, with one of the world's most diverse settings for cinematic and television productions.
I personally think a fight scene is the most cinematic thing you can witness because all the elements of filmmaking come together, you know, with the camera speed changes, editing, make up effects and general smoke and mirrors of trying to make it look like you are hitting someone when you're not. It's filmmaking in it's purest form, I think.
There's a way in which filmmaking is a director's medium and television is a writer's medium, so even as TV gets more cinematic, it's still guided by the writer.
Often in films, you have no idea where you're going to be six months from now. And I grew very weary of that. And television, although it wasn't necessarily as creatively diverse as filmmaking can be, it was the lifestyle choice that I needed to make.
I think it's a great time to be a person of color and with talent. And actually, to be a woman as well. Our show is one of the most diverse television shows on television right now.
The chance to be a general manager in major-league baseball and for a franchise as storied as this one, probably as storied as the Giants, is great.
I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.
'Hamilton' is a story about America, and the most beautiful thing about it is... it's told by such a diverse cast with a such diverse styles of music. We have the opportunity to reclaim a history that some of us don't necessarily think is our own.
I base everything on my own life experiences as a female. I start from there, and then I look for characters and settings that I think are cinematic, where I can use symbols and imagery to tell a story.
It's not a choice. Either I write or I don't, especially when I'm in a foreign culture. I've lived in London for years, and I must continue my writing and filmmaking. The most important thing for an artist or an author is to continue her work. Languages and settings are the tools but not the first thing.
I've done a lot of television over the last years, and you know, with some television productions, if you can do with just one take, you can move on and do something else.
Robots have a rich and storied history in movies.
8H has such an epic, storied history. You can feel that when you're in there.
I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.
You know, when people talk about filmmaking and the techniques of filmmaking, we use them all the time in network television news in order to make our stories simpler, tighter and more understandable to the general public.
The world in which we live is diverse, and I think television and film should reflect that.
Our own CIA has a storied history of interfering in elections. In the late '40s, we shoveled cash into France and Italy after World War II to defeat the Communists who had been part of the wartime resistance to the Nazis and Fascists.
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