A Quote by John Berendt

Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end—as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary.
I try to write every day until the book is done, but the exact process depends on the story and its structure. Sometimes, if the story is more linear, I write it from beginning to end.
I always kept a diary - not a diary like, 'Dear Diary, we got up at 5 A.M., and I wore the weird hair again and that white dress! Hi-yeee!' I'd just write.
I do not keep a diary. Never have. To write a diary every day is like returning to one's own vomit.
There are story-room sessions where you think about the big picture, like a novel, but once you have certain things in place, you have to treat each episode like an hour of TV, and think that maybe this will be the only episode that anyone will ever watch. You want to have some sort of beginning, middle, and end to the episode, even if you have storylines that are carrying over. You still want it to feel like a cohesive hour of entertainment. And you can't think about both at the same time.
Now I don't drink, and I get up in the morning and I write in my diary, and I can write in my diary for hours if I feel like it. And I'm still sober so I can write the stories that I'm working on, and I can sit at the desk as long as I need to. So that changed a lot, I think.
I was 12 and read my first romance novel; it was a sweeping desert saga, and I got to the end of it and was like, 'I want to go back and start all over again!' That emotional response to the book and getting to the end of a story you love is what inspires me to write the next book.
The process for writing a picture book is completely different from the process of writing a chapter book or novel. For one thing, most of my picture books rhyme. Also, when I write a picture book I'm always thinking about the role the pictures will play in the telling of the story. It can take me several months to write a picture book, but it takes me several years to write a novel.
I always knew from the beginning that this was the only way to write Then We Came To The End - that it had to be in first - person plural if it was going to illustrate how the individual becomes part of the collective. I had no interest in writing the book in a more conventional voice. It goes back to that fascination I had with telling a story in multiple ways. It was the only choice I gave myself, really - I said "This is it, pal. If you can't tell a story this way, you're going to have to abandon the book. Write it this way or give up."
The turning point was when I hit my 30th birthday. I thought, if really want to write, it's time to start. I picked up the book How to Write a Novel in 90 Days. The author said to just write three pages a day, and I figured, I can do this. I never got past Page 3 of that book.
I write titles that are confrontational. I write titles that make people want to pick up a book and find out more about it. I write good books; I write great titles though.
You can watch an episode of Friends or an episode of Law & Order and just drop in, but you're not going to in the middle of Season 4, Episode 5 of Lost. It's like picking up a Harry Potter book and flipping to a chapter. You have to read it from beginning to end.
I'm so old that when I started keeping a diary they were in actual books, and I think that's one the reasons that I've never written about sex. Because early on you had to worry that someone was going to find your diary, so it's bad enough to be writing like Joan Didion, but writing like Joan Didion about sex acts you'd performed with somebody you had known for 20 minutes, that's a bit worse. So I would write in my diary, "I met J. and we had sex five times last night." But I would never write about what we did.
I let myself go at the beginning and write with an easy mind, but by the time I get to the middle I begin to grow timid and to fear my story will be too long. . .That is why the beginning of my stories is always very promising and looks as though I were starting on a novel, and the middle is huddled and timid, and the end is...like fireworks.
Blind Curve, the book I'm working on now, sprang from a crazy incident that happened to me last year while on my book tour. I was pulled out of my car for a minor traffic violation - an incident that escalated into my being thrown into cuffs and told I was going to jail. Except in my story, the hero doesn't get off as easily as I did.
Every single song I write has to feel like it has a beginning, middle, and end, like a movie or a short story.
The book, you understand, was not written for publication. It was the portrayal of my emotions, the analysis of my own soul life during three months of my nineteenth year. I wrote then all the time, just as I do now, but, though the book is in diary form, it is not a diary.
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