A Quote by John Berger

[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten. . . . — © John Berger
[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten. . . .
I can't tell you what art does and how it does it, but I know that often art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten. Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor.
When you do not recognize the wrongs of the past, the future takes its revenge. -Author forgotten
A race that is solely dependent upon another for economic existence sooner or later dies. As we have in the past been living upon the mercies shown by others, and by the chances obtainable, and have suffered there from, so we will in the future suffer if an effort is not made now to adjust our own affairs.
There is nothing worse, is there," she said, "than a past that has never been fully dealt with. One can convince oneself, that it is all safely in the past and forgotten about, but the very fact that we can tell ourselves that it is forgotten proves that it is not.
Imagination judges the future by the past, but concerns itself with the future more than with the past.
Jonathan Meese is not interested in the history of reality. Everything radical and precisely graphic is sustainable. Human ideologies like religions and politics are based on the past and therefore irrelevant to art. Art always transforms radicalism of the past into the future. Art is always the total time machine. Jonathan Meese is interested in the history of the future. Art is never nostalgic.
The Musharraf government has declared martial law to settle scores with lawyers and judges. Hundreds of innocent Pakistanis have been rounded up. Human rights activists, including women and senior citizens, have been beaten by police. Judges have been arrested and lawyers battered in their offices and the streets.
To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.
In art, there is neither past nor future. The art that is not in the present will never be.
What has been forgotten is never something purely individual. Everything forgotten mingles with what has been forgotten of the prehistoric world, forms countless, uncertain, changing compounds, yielding a constant flow of new, strange products.
I've done some bits of shockingly bad TV that have never been shown, or at least I hope they've never been shown... Please don't dig them out!
Museums have traditionally been places that protect the art object. But in the last 40 years, a new type of museum has emerged - the Kunsthalle or alternative space which only presents temporary, contemporary shows. Yet art is not just about the future - it is about the future and the present, but it also can't forget the past.
Originally they wanted it to be bigger, but I pleaded and pleaded and pleaded to have the smallest tonsure that they could get away with. A tonsure that could still be seen, but, I worried about my social life!
Happy ending are only a pause. There are three kinds of big endings: Revenge. Tragedy. Forgiveness. Revenge and Tragedy often happen together. Forgiveness redeems the past. Forgiveness unblocks the future.
There are those who regard this history of past strife and exile as better forgotten. But, to use the phrase of Yeats, let us not casually reduce "that great past to a trouble of fools." For we need not feel the bitterness of the past to discover its meaning for the present and the future.
Art is a way you discover the past, and so it brings the past into the present and the future. That's why we have anthropologists who dig up the art from the past. You can see the refinement in the society by the art. And people will see our lack of refinement when they dig up our art.
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