A Quote by John Berger
I use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase. For me, drawing is a lot to do with taking out, with returning to the white of the paper.
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Millennials are a very interesting generation for a lot of reasons. They're absolutely adorable, but they have some significant challenges. Their lives and their careers are delayed by about 10 years, partly because of the recession, also because of technology and also because of the way that they approach things.
I like charcoal drawing a lot. I'm not very good, but I always find myself buying canvases and paints whenever I'm on location, because I always have this ambition to fill the hotel room I'm in and turn it into an art studio.
I have never heard enough classical music to be able to enjoy it; & the simple truth is, I detest it. Not mildly, but will all my heart. To me an opera is the very climax & cap-stone of the absurd, the fantastic the unjustifiable. I hate the very name of opera - partly because of the nights of suffering I have endured in its presence, & partly because I want to love it and can't.
After three months of singing, Hef heard me practicing once. He tried to convince me to quit singing lessons because there was no chance of being good at it. Of course, I cried a lot when he said that, but it was my money that I was investing in lessons so I continued partly out of spite and partly because I really wanted to do it.
The word 'happiness' always bothered me, partly because it was scientifically unwieldy and meant a lot of different things to different people, and also because it's subjective.
Don't forget, a lot of people want that to happen because they make a lot of money by taking money out of this country. Those deals [like NAFTA] are very good for a lot of people.
To me, acting is very therapeutic. I get out a lot of anger and frustration. It's maybe hard to believe, but as a kid I really had a lot of self-doubts. My father was very ill - he was an alcoholic - so there were a lot of things that built up for me. And because I was going to a Catholic school in a small German town, a lot of it was suppressed. I was angry and didn't know how to get it out.
It's important to remember that, in the 1930s, a lot of people in the West looked at communism as a pretty good idea. That was partly because they didn't know how bad things were on the communist side of the world, but it was also partly because things were bad in the West.
We can't just pay attention to women who look fantastic in a photograph, because there are a lot of people that have fantastic things to say that don't look like 25-year-old white models.
War affected my family a lot, and I was quite curious about it. I first went off to war in the early 90's as a journalist, partly out of curiosity and partly because I needed a career. War reporting has been very glamorous and exciting, and everything else that young men like.
For me, the reason I keep working out and want to get bigger and focus on staying fit is because when you do fall it's easier to tighten up and not get hurt. I also wrestle, and that helps me a lot with taking a fall. A lot of what I do at the end of they day are things that will help me to not get hurt.
Not even pencil or charcoal is needed. Drawing can also be done with a brush. But drawing is a must, if not, no painting can resist.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
Sometimes when I am drawing outside - when it is cold out it gets difficult (my hand gets slower when it is really cold) because I do not like wearing a glove while drawing, because I cannot feel the paper right.
A lot of writers choose to live in New York, partly because of the literary culture here, and partly because Brooklyn's a pretty nice place to live. And a lot of writers who might not geographically reside in New York still point their ambitions towards New York in some sense.
It really does feel, partly because of graphic novels kids read, like there's a lot of freedom with how you can use both images and words, because we think in both of those ways.
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