A Quote by John Berger
In Degas's compositions with several dancers, their steps, postures and gestures often resemble the almost geometric, formal letters of an alphabet, whereas their bodies and heads are recalcitrant, sinuous and individual.
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Dancers, many dancers today can do so much technically. You can give them steps that are complicated, then more complicated, pyrotechnical - and they can execute these steps to perfection. But to do simple steps with a pure classical line, that is truly difficult.
They felt, in fact, tremendously bucked-up, which was how Lady Ramkin would almost certainly have put it and which was definitely several letters of the alphabet away from how they normally felt.
Degas is a master of creating compositions that don't look composed.
I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.
There are only so many letters in the alphabet. When I talk to young musicians or authors and they ask for advice, I say, You gotta learn all the letters of your own personal alphabet. With music, you need to know all the different kinds of music and everything in and around your given instrument.
There are only so many letters in the alphabet. When I talk to young musicians or authors and they ask for advice, I say, 'You gotta learn all the letters of your own personal alphabet. With music, you need to know all the different kinds of music and everything in and around your given instrument.'
Dancers are working their bodies just like a marathon runner would, and you have to eat to make it through a three-hour performance. Dancers put their bodies through incredible strain.
If our planet has seen some eighty billion people it is difficult to suppose hat every individual has had his or her own repertory of gestures. Arithmetically, it is simply impossible. Without the slightest doubt, there are far fewer gestures in the world than there are individuals. That finding leads us to a shocking conclusion: a gesture is more individual than an individual. We could put it in the form of an aphorism: many people, few gestures.
You've read some of the poems in this new unpublished book [Walker's Alphabet], e.g., the poem "C." I have a number of poems whose titles are letters of the alphabet:?A, B, C, D, E, F.
OPERA, n. A play representing life in another world, whose inhabitants have no speech but song, no motions but gestures and no postures but attitudes.
It was the sheer force of the letters themselves which brought forth the meaning, since the only link between the Sephirot of non-verbal Wisdom and verbal Intelligence was through the letters of the alphabet.
Omens are a language, it's the alphabet we develop to speak to the world's soul, or the universe's, or God's, whatever name you want to give it. Like an alphabet, it is individual, you only learn it by making mistakes, and that keeps you from globalizing the spiritual quest.
Things like dressing, postures and gestures are under the artiste's control. If I'm performing, my safety is primarily my responsibilityso I shouldn't end up doing anything that would infuriate the audience.
that's exactly what climbing is to me. ... Expression. What a painter does on a canvas, what a writer can do with the twenty-six letters in the alphabet. It's the key that unlocks my spirit, the clearest representation of who I am. When I'm focused, climbing is almost an unconscious act for me. I don't have to drive myself, I'm already driven.
The Zodiac letters from 1978 on were driven to Sacramento in a cardboard box, and these letters have never been refrigerated, which, for letters going back - what? - 30 years almost is a must for DNA.
Opinions are not to be learned by rote, like the letters of an alphabet, or the words of a dictionary. They are conclusions to be formed, and formed by each individual in the sacred and free citadel of the mind, and there enshrined beyond the arm of law to reach, or force to shake; ay! and beyond the right of impertinent curiosity to violate, or presumptuous arrogance to threaten.
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