A Quote by John Berger

Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something. — © John Berger
Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
Something you need to do three times a day, seven days a week, and something you need to stop worrying about. If [kids] don't know how to cook, they go to junk, and then the junk becomes addictive, and then all of a sudden they're left with no choice.
Most days I don't care what I wear. You'll find me in yoga pants, a T-shirt, and sneakers almost every day. My job is to wear something nice when I work, so I enjoy doing it then. But when I don't have to, I'd rather just wear something comfortable.
I will never stop improving until I stop my career because I think every day you can improve, every day you can do something new, and every day you can do something better.
I moved right to L.A., and I had a year of active unemployment. I had 50-something auditions for 50-something different projects, testing and doing callbacks, and could not get hired. And then, almost a year to the day of being out in L.A., I booked my first job, and then I started booking something every other month.
FDR once said he was like a cat, that he would pounce and then relax. That's much harder to do in the 24-hour cable world, because it's almost like the press demands of you to be saying something or doing something every day.
Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it.
The problem is when you become so well known that everyone is watching you and you don't have an opportunity to observe. It's something that I don't want to lose. I like being unnoticed when I don't feel like being noticed. It's not like I crave attention all the time. Something that I've always loved and appreciated is the chance to see something about someone's character, observe and kind of retain it, and study it without feeling like I'm studying it. I have an intense curiosity. And it would be a shame if I lose the ability to do that.
. . . since being a Jew not only means that I bear within me a catastrophe that occurred yesterday and cannot be ruled out for tomorrow, it is-beyond being a duty-also fear. Every morning when I get up I can read the Auschwitz number on my forearm, something that touches the deepest and most closely intertwined roots of my existence; indeed I am not even sure if this is not my entire existence. Then I feel approximately as I did back then when I got a taste of the first blow from a policeman's fist. Every day anew I lose my trust in the world.
I almost feel like if I didn't have the gallery and museum content it would be easy to get lost. People's attention spans are so short; they see something and it trends for a few days and then it goes away and something else comes.
I love being coached. I get angry when I'm not coached. I ask a lot of questions and certainly appreciate any insight and feedback. I think if you ever stop listening to coaching or stop asking questions, you probably need to be doing something else.
When I was younger, I could do something useful just by being free for half a day, but now I need five days to get the world I've left out of my head and ten days or a fortnight not talking to anyone to hold what I need to hold inside my head.
The drone war takes place 24/7, 365 days a year. The war doesn't stop on Christmas. It's like being a fireman when there's a fire every single day, day after day after day. That's emotionally and physically taxing.
If I don't do something constructive every day, I feel like I have wasted my time, and I almost feel guilty for not doing something I could have learned from.
In my mind it's so much fun to have something that has clues and is mysterious - something that is understood intuitively rather than just being spoon-fed to you. That's the beauty of cinema, and it's hardly ever even tried. These days, most films are pretty easily understood, and so people's minds stop working.
If you keep pushing paint when you're tired of it, you lose sensitivity. I can only focus on painting for a few hours, so I'll stop and work on something quite different.
I need to learn how to stop destroying myself, stop being hard on myself and be nice to myself. I need to keep telling myself that I need to keep wanting something, something nice, something warm[so] I can make other people happy. I can understand other people's pain because I can love even after all that is left of me is gone because I have that strength.
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