A Quote by John Berger
For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.
Related Quotes
It's quite literally true that we are star dust, in the highest exalted way one can use that phrase. ...I bask in the majesty of the cosmos. I use words, compose sentences that sound like the sentences I hear out of people that had revelation of Jesus, who go on their pilgrimages to Mecca.
I have friends and illustrators who can't stand drawing on the Cintiq. [A graphic pad tablet used by digital animators] There's a certain tension and friction when you draw on paper that they miss. The tablet is very slick. It's like drawing on glass. But that didn't bother me at all.
It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
I studied graphic design originally. I used to like drawing, and I was quite into technical drawing. I was always interested in the visual medium, but I thought I was going to be an architect or something like that, but it's quite a lonely job.
I was quite a shy kid, but I was quite funny at school, and I was really into art. In our class, there were two of us who were good at drawing, and my teacher was like, 'He's going to make a wonderful artist one day, and Noel can make everyone laugh.'
It wasn't that I wanted to be an artist. But when I took my first drawing class with the painter Doug Ohlson, I could never finish a drawing.
Drawing is the cornerstone of the graphic, plastic arts. Drawing is the coordination of line, tone, and color symbols into formations that express the artist's thought.
Drawing is the artist's most direct and spontaneous expression, a species of writing: it reveals, better than does painting, his true personality.
It's inherently a part of my childhood and my development as a person and an artist, this childlike feeling knowing that something is missing but not quite knowing how to fix it. I'm always drawing on it.
Discovery comes as a result of positive discontent, a constructive dissatisfaction. In fact, one might quite truthfully say that there is no discovery when one is content.
ou can hardly imagine how I am struggling to exert my poetical ideas just now for the discovery of analogies and remote figures respecting the earth, sun, and all sorts of things — for I think that is the true way (corrected by judgment) to work out a discovery.
So every artist and would-be artist makes this same phrase: 'I knew, I never got it said.
When I'm ready to make a photograph, I think I quite obviously see in my minds eye something that is not literally there in the true meaning of the word. I'm interested in something which is built up from within, rather than just extracted from without.
My one failing as an artist is that I depend on reference material to perhaps a greater extent than I should. Delacroix said that if you can draw a man falling out of a window and have the drawing finished before he hits the ground then you're a real artist. I wasn't that kind of artist.
For me, true beauty has nothing to do with wrinkles and everything to do with the fact that my maternal grandmother raised five children just after the war and remained a fighter throughout her life. True beauty is the slick of red lipstick my paternal grandmother would put on before going to church on Sunday.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
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