A Quote by John Berger

When I was about seven, one or two people encouraged me, and art became an enormous and important refuge. By adolescence, I was absolutely passionate about it and felt those paintings and those painters, whether they lived a few hundred years ago or were still alive, were somehow my companions.
I lived for those moments when we were together, those few times in my life that I actually felt alive.
I've dreamed landscapes for years, and my dreams play an enormous role in my work. In fact, when I first started doing landscapes I felt insecure about painting in this style, and the dreams were like positive omens for me, and I've done a few paintings that were exact replicas of images that came to me in dreams.
Seventeen's not so young. A hundred years ago people got married when they were practically our age." "Yeah, that was before electricity and the Internet. A hundred years ago eighteen-year-old guys were out there fighting wars with bayonets and holding a man's life in their hands! They lived a lot of life by the time they were our age. What do kids our age know about love and life?
I still have people coming up to me, and it was, what, six or seven years ago when that finale aired? And they tell me who they were watching with, what their emotional reaction was, and how they were devastated for weeks about [Rita's death in Dexter].
All those crazy Impressionist painters in France were friends but they would write about how jealous and competitive they were. That's what makes good art.
'Great Expectations' was an important novel in my adolescence. It was very much one of those emblematic novels that made me wish I could write like that. It helped that my models as a writer were dead over a hundred years before I began to write.
One of my great surprises when I was in America was about twenty-five years ago in Harvard, hearing Randall Jarrell deliver a bitter attack on the way poets were neglected. Yet there were about two thousand people present, and he was being paid five hundred dollars for delivering this attack.
The ways I could hurt her and hurt myself. Those two things were intertwined somehow. It's hard to explain, but when you were as closed off as I was the past few months, opening felt as wrong as stripping naked in church.
This project started nearly twenty years ago as an assignment in my typography class at art school. Students were encouraged to see letters beyond their dull, practical functionality. We played with their unique shapes and tinkered with their infinite possibilities. The challenge was hard, so the reward of “cracking” a word felt great. This became a lifelong project for me.
As Jeremy Bentham had asked about animals well over two hundred years ago, the question was not whether they could reason or talk, but could they suffer? And yet, somehow, it seemed to take more imagination for humans to identify with animal suffering than it did to conceive of space flight or cloning or nuclear fusion. Yes, she was a fanatic in the eyes of most of the country. . .Mostly, however, she just lacked patience for people who wouldn't accept her belief that humans inflicted needless agony on the animals around them, and they did so in numbers that were absolutely staggering.
The Shield was only around for what? Two years? And we did a lot in two years. I think the fact that people even take those two years and put them up against the reputations of those other groups really says a lot about what we were able to accomplish in that short period of time.
I just don't know whether it was all destroyed years ago - I mean, there's no question that there were chemical weapons years ago - whether they were destroyed right before the war, (or) whether they're still hidden.
It is equally pointless to weep because we won't be alive a hundred years from now as that we were not here a hundred years ago.
When I was seven or eight years old, I began to read the science-fiction magazines that were brought by guests into my grandparents' boarding house in Waukegan, Illinois. Those were the years when Hugo Gernsback was publishing 'Amazing Stories,' with vivid, appallingly imaginative cover paintings that fed my hungry imagination.
Hire the best people you can find. This was kind of easy in the early days of foursquare - we hired our friends who were really passionate about the stuff they were building. We have a superstar team not just because their resumes are so strong, but because they've been passionate, thinking about and tinkering in this space forever. Those are the people you want to surround yourself with.
I lived in Japan for about two years. I spent my time equally between religiously studying Aikido in Shinjuku by day and hard partying in Shibuya and Roppongi by night. On more than a few nights, those subways were my own personal stage coach to hell.
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