A Quote by John Berger
Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
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Drinking beer with friends is perhaps the most underestimated of all Reformation insights and essential to ongoing reform; and wasting time with a choice friend or two on a regular basis might be the best investment of time you ever make.
Greek customs such as wine drinking were regarded as worthy of imitation by other cultures. So the ships that carried Greek wine were carrying Greek civilization, distributing it around the Mediterranean and beyond, one amphora at a time. Wine displaced beer to become the most civilized and sophisticated of drinks—a status it has maintained ever since, thanks to its association with the intellectual achievements of Ancient Greece.
News has a way of distancing us from events, even as it informs us about them. News articles almost always present both the event and the responses at the same time - how is President Barack Obama or Congress responding to the events? I think this reflects a deep need we have to feel that things are under control and that events are subject to our influence.
When I look back on my life, it seems nearly everything of interest happened in little more than one decade - dramas, tragedies, major events, pleasures, my close friendships with artists and political figures, the lovely places where I lived in England and New York, the trips to Europe, visits at the White House.
Could it be that time is too narrow for all events? Could it happen that all the seats within time might have been sold? Worried, we run along the train of events, preparing ourselves for the journey.
Pakistan always seems to have a lot of political complexities and political challenges. But Pakistan is important for a number of reasons. Primarily, it is a nuclear power. And if, in fact, al Qaeda and Taliban, which are in Pakistan and causing a lot of tragedies and deaths in Pakistan - if they would ever somehow have real influence and control of that government, then we [world] really have a problem.
I'm intrigued by the classic Greek tragedies, as well as by the idea of the Greek chorus.
Every time we tell anybody to cheer up, things might be worse, we run away for fear we might be asked to specify how.
When I was 14-15 years old I was able to earn a little money from time to time but I'm not complaining since, very soon I could provide a normal living. I was discovered also by other musicians and they asked me to work with them. Even in my early age several well-known artists asked for my services both on the stage and in the studio. This experience proved to be very useful, musicians showed me various musical situations and various music experiments.
I think artists are always investigating how to have an economic, political platform. At one time, artists were supported by the Church. Then they were supported also by the state.
Artists have been getting ripped off since the beginning of time, probably. But on the other hand, it might be nice to write songs. We certainly could.
We do not influence the course of events by persuading people that we are right when we make what they regard as radical proposals. Rather, we exert influence by keeping options available when something has to be done at a time of crisis.
O time, swift robber of all created things, how many kings, how many nations hast thou undone, and how many changes of states and of various events have happened since the wondrous forms of this fish perished here in this cavernous and winding recess. Now destroyed by time thou liest patiently in this confined space with bones stripped and bare; serving as a support and prop for the superimposed mountain.
Whether you're talking about Shakespeare or, you know, if you look at Greek tragedies. I mean, every playwright, every songwriter, every artist who's ever sat down and been moved to create something, has been living in a context. A political moment that's most often reflected in their work. Even if you're, you know, kind of a nature poet.
The first question she was asked was What do you do? as if that were enough to define you. Nobody ever asked you who you really were, because that changed. You might be a judge or a mother or a dreamer. You might be a loner or a visionary or a pessimist. You might be the victim, and you might be the bully. You could be the parent, and also the child. You might wond one day and heal the next.
There is more and more data that the biological molecules of aging are more under the influence of psychological factors than the chronological age that we usually associate with. Of course there are other things that influence our aging process, including how we perceive time. If you're constantly running out of time, then your biological clock speeds up, and you do run out of time with a heart attack or something like that. The quality of our self-esteem determines how we age. Our perception of our bodies as fields of energy or fields of matter influence how our body ages.
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