A Quote by John Berryman
I think that what happens in my poetic work in the future will depend on my being knocked in the face, and thrown flat, and given cancer, and all kinds of other things short of senile dementia.
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I'm always very excited about trying to do something on next-generation biotechnology and life sciences because I think if we can cure cancer or dementia, we can really make the future a lot better and I think these things are eminently doable.
He had senile dementia and liked to go outside naked, but he could still do two things perfectly: win at checkers and write out prescriptions.
Remember, happiness doesn't depend upon who you are or what you have; it depends solely upon what you think. So start each day by thinking of all the things you have to be thankful for. Your future will depend very largely on the thoughts you think today. So think thoughts of hope and confidence and love and success.
In short, evolution is as close to being a scientific fact as is possible for any theory, given that science is open - ended and no one can predict with certainty what may change in the future. The prospect that evolution by natural selection, at least as a broad mechanism, will be overthrown in the future is about as likely as the prospect of finding out some day that the Earth is really flat. Unfortunately, those who regard these scientific facts as a threat to faith have chosen to distort and misrepresent them to the public.
It's always an interesting thing that happens between an artist and their work. People collapse the two, and for any artist, there will be a long period of being considered one thing before being considered another - whether despicable, rhetorical, or poetic. But we all know that these things are made with a huge amount of will and intention. Yet ultimately they're out of our control.
When people see some things as beautiful, other things become ugly. When people see some things as good, other things become bad. Being and non-being create each other. Difficult and easy support each other. Long and short define each other. High and low depend on each other. Before and after follow each other. Therefore the Master acts without doing anything and teaches without saying anything. Things arise and she lets them come; things disappear and she lets them go. She has but doesn't possess, acts but doesn't expect. When her work is done, she forgets it. That is why it lasts forever.
Could we say that the short short is to other kinds of fiction somewhat as the lyric is to other kinds of poetry? The lyric does not seek meaning through extension, it accepts the enigmas of confinement. It strives for a rapid unity of impression, an experience rendered in its wink of immediacy. And so too with the short short.
You can keep your memory intact, preserve your brain's health, and minimize the risk of aging and senile dementia, things that are greatly feared as people grow older.
Sometimes you do films that work really well and sometimes you do a film and you fall flat on your face. Sometimes things work, sometimes things don't work, you never know. I don't think there is any explanation to something like that.
When I think of cancer prevention, I think of cancer vaccines, but I think more broadly of all that we can do to prevent cancer. And part of that is coming up with a vaccine that will work like the vaccines we have for hepatitis B or flu or polio.
There is not a man who does not get senile by the time he reaches sixty. And when one thinks that he will not be senile, he is already so.
And as we continue to improve our understanding of the basic science on which applications increasingly depend, material benefits of this and other kinds are secured for the future.
It is not a shame to be knocked down by other people. The important thing is to ask when you're being knocked down, 'Why am I being knocked down?' If a person can reflect in this way, then there is hope for this person.
I believe that we are going to have a much deeper appreciation of what kinds of abnormalities in cancer cells and in the surrounding cells that feed and respond to cancers are vulnerabilities that will allow us to make better predictions of which kinds of drugs will work to treat these cancers.
I love classical music, but I hated classical guitar. But I like flamenco, because there was something else there going on. It wasn't just the notes being thrown at you. And there were certain kinds of jazz that I really liked and other kinds that just went right over my head.
Do whatever you want to persevere, work for your own things, and do not depend on anyone to be your provider. That way, in the future, you will be all right regardless of the circumstances.
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