A Quote by John Betjeman

I have a Vision of the Future, chum. The workers flats in fields of soya beans tower up like silver pencils, score on score. — © John Betjeman
I have a Vision of the Future, chum. The workers flats in fields of soya beans tower up like silver pencils, score on score.
I don't pick tournaments to score or rivals or other teams to score against. I'm a striker: every game I play, I want to score.
I don't go out and just try to score. I score because there is an opportunity to score.
Your FICO score is an "I love debt" score. You're going to pay a bazillion dollars in interest to keep your FICO score up in order to have lower homeowner's and car insurance rates.
I'd always like to score at Goodison Park, being an Everton fan growing up. Anfield as well would be a nice place to score.
Defense, in the game, is something that I just really enjoy. Some people enjoy assisting the ball. Some people like to score, score, score, but to me the first thing that comes up is defense.
As a point guard, you don't really have to score. The only time you have to score is when you have to score.
There are vivid memories from my childhood-what we had to go through because of low wages and the conditions, basically because there was no union. I suppose if I wanted to be fair I could say that I'm trying to settle a personal score. I could dramatize it by saying that I want to bring social justice to farm workers. But the truth is that I went through a lot of hell, and a lot of people did. If we can even the score a little for the workers then we are doing something. Besides, I don't know any other work I like to do better than this. I really don't.
Well, it wasn't like I was going to run out and score heroin and score an ounce of coke - but incidentally, on the road, I would usually get tanked up and as stoned as I possibly could to go on stage. And offstage, it would be a demon that would come up about twice a week.
To me, score is really important. I would rather not have any score if it's something that's going to detract from the film. So often when I watch films, the score is what really bothers me.
When I grew up, I tried to score off every ball, be it a 10-over-match, a 20-over, or even a Test match. If I stay in the wicket for, say, about 30 minutes, I want to make the most of it and score maximum runs possible. You never know when you get out; try to score as much possible before that.
Somebody has to keep score and I decided I was going to do it. I'm a born score-keeper and I realize, like an umpire, that my decisions may cause distress.
Most films don't have a budget for a background score, but it is the toughest job to do. We work like donkeys. And usually we get only around a month to do a score.
I'm here to score a lot of goals. It's my specialty, that's what I've been brought here to do, and I want to score plenty ; like I did with Barcelona. And here, there's every reason to think I can do it.
Victor Young had been hired to write the score for the dances of The Ten Commandments but he became very ill. You were then hired to write the score. But at the same time you'd written The Man with the Golden Arm score.
I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging.
If you read Wall Street?s reports, they don?t talk of soya bean as originating in China. They don?t talk of soya bean as soya bean. They talk of Monsanto soya. Monsanto soya is protected by a patent. It has a patent number. It is therefore treated as a creation of Monsanto, a product of Monsanto?s intelligence and innovation.
This site uses cookies to ensure you get the best experience. More info...
Got it!