A Quote by John Bishop

I was looking for someone to represent me and an agent sat me down and said, 'I don't think there's anything to work with here.' — © John Bishop
I was looking for someone to represent me and an agent sat me down and said, 'I don't think there's anything to work with here.'
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
I think Bob [Dylan] told me that he turned down twenty interviews that year, and I was the only one that he sat down and did an interview with. And, he said that it was one of his highlights, and it was one of my highlights. And, I was very glad to talk with Bob. I found out that he was a good fan of mine, and that tickled me.
I don't even have an agent or manager, but rather have a number of associates who I turn to when needed; or conversely when they hear of someone looking for me they'll contact me.
Frank called me one day and said, 'I have an idea for a movie, why don't you come over and I'll tell you?' So I went over and we sat down and he said, 'This picture starts in heaven'. That shook me.
When I sat down to write I just felt like a geek writing about myself. And then it dawned on me, just because of the way I am, I can't stop talking, and part of the problem is that anything that gets said reminds me of something that happened to me one time, and invariably I cut people off and talk about myself.
My parents never sat down to teach me anything; they lived exemplary life to set a lesson for me.
A woman said to me when she first sat down, You're photographing the wrong side of my face. I said, Oh, is there one?
I don't want to work with anyone who has not sat down with me and has gotten to know me. I don't want you writing for who you think Jennifer is or the public persona of because that's not who I am. It's my shell, it's the brand, it's the celebrity, but it's not the person.
We represent a hustler. I think we represent inspiration. I think we represent, you know, staying down. I think we represent building yourself up from the bootstraps.
Now I'm where I want to be and who I want to be and doing what I always said I would and yet I feel I haven't won at all. Running for my life and never looking back in case there's someone right behind me shoot me down and say he always knew I'd fall. When the crazy wheel slows down where will I be? Back where I started.
I always tell people this when they're looking for an agent - they should love your work. You are entitled to work with someone who believes in you. Why do business with someone who is ambivalent about you and your art?
Like I said, I'm just grateful when anyone offers me a job. It's like, "Okay. I'll do it." FBI agent is one, too, when you get older. When you're kind of an older lady hard-ass, FBI tends to happen. It's just because I'd like to work rather than not work, so I'm just happy if somebody wants me to do anything.
It looked like it might not work out with Michael Keaton, so they asked Joel Schumacher, `Who do you want for Batman?` When he said me, I asked my agent, `Why? Who did they not get?` I`d met with Joel a couple of times before about other (movies). I didn`t know anything in terms of the cast, story or anything, but I said, `Sure, sounds like fun.` - On accepting his role as Batman.
It occurred to me that every work of art is a synecdoche, there's no way around it. Every creative work that someone does can only represent an aspect of the whole of something. I can't think of an exception to that.
I've found a letter that was written to me from a girl who was getting married. And she wanted to know the secret of a happy marriage. I said - and I wrote back and said something to the effect that I couldn't - I had no magic formula. And I never sat down and thought about it, but everything just fell into place with Ronnie and me.
Someone very smart once said to me, "Steal, don't borrow." So if there's anything good in anything anyone else does, it's fair game. I think that everything I've ever done at some point is part of someone else's legacy.
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