A Quote by John Bishop

As soon as I speak, I think people go, 'Well, he obviously must have grown up on a council estate, gone to a comprehensive school and be working class - so I can relate to him.'
I always considered myself working class, because I was brought up on a council estate. I still do, really. I mean, I might have a bit more money now than I did then, but it's in your head, class, I think. It's how you feel in there.
I grew up on a council estate. No one was working in our house.
Well, first of all I think that we have to be careful with terms like the working class, obviously. When [Karl] Marx wrote about the working class he was writing about something much more bounded than we're talking about.
I'm not part of a middle-class establishment. I'm working class, and I grew up in a council house.
I think that, often, actors represent what they're not. You get people who define the aristocracy who are not aristocratic - they're lower-middle class or working class. An awful lot of your so-called angry young actors have grown up in extreme bourgeois comfort. It really is surprisingly common.
I've just always been terrified of having to speak in front of people. When I used to go in school and then I had to do a report in front of the class and speak, I would freeze up, sometimes I would even like tear up almost and start crying and stuff... couldn't deal.
I grew up moving from one council flat to another and finished up in a three-bedroom semi-detached on a council estate in Cranford, a suburb of Hounslow. This was in the days when there was still rationing, and we had to be thrifty.
The people who perpetrated the terror of the World Trade Center and Pentagon bombings are something different because these people were obviously not desperate and poor refugee dwellers. They were middle class, educated enough to speak English, to be able to go to flight school, to come to America, to live in Florida.
I was in love with a girl in my class when I was in primary school, and she obviously thought I was a freak, so that wasn't working out. And the the guys in my class, every two weeks they'd say, 'Hey, we spoke to her, and she really likes you now. You should go and ask her again.' And then I'd go and ask her again.
The really successful work in England tends to be working-class writers telling working-class stories. The film industry has been slow to wake up to that, for a variety of reasons. It still shocks me how few films are written or made in England about working-class life, given that those are the people who go to movies.
Just because someone has gone to an elite school and college does not make him smarter than the person who has grown up on street knowledge.
Well, I don't know if this is true of everyone, but I have this relationship with my parents where, despite however mature or articulate or grown-up I think I've become, as soon as I go home, I turn into this petulant 13-year-old, especially with the tone of my voice.
I had great memories of growing up in a working class estate. I remember it being sunny all the time. So we're putting that on screen. It's not people wallowing in degradation.
I think the working-class part of me comes out. Sometimes the people who have the loudest mouths are upper-class, upper-middle-class. The quietest are often working-class people, people who are broke. There is a fear of losing whatever it is that you have. I come from that background.
I come from a council estate in Tower Hamlets, and by no means am I the only person who has done well - one of my friends is head of year in a great school in Twickenham. Another is a writer; another is an artist, a musician.
When you watch 'Save Me,' you want to be there. Even if you haven't grown up on an estate like this, you want to go to that pub and meet these people.
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