A Quote by John Bishop

I love pure joke-tellers, but if I go to see a comedian for a full show, I want to feel I know them more than when I came through the door. — © John Bishop
I love pure joke-tellers, but if I go to see a comedian for a full show, I want to feel I know them more than when I came through the door.
Some street jokes are just timeless. There's an old street joke about comedians. The joke is that a beautiful girl comes up to a comedian at the end of the night and says, "I saw your show tonight, and I just loved it. I want to go home with you, and I'll do anything you want." And the comedian says, "Were you at the 7 or the 9?" That's just a perfect joke, because it points out how egomaniacal and obsessive comedians are. Even though I'm not waiting for a groupie, I can completely understand it. It just defines how comedians are driven.
Life's about a hell of a lot more than being happy. It's about feeling the full range of stuff: happiness, sadness, anger, grief, love, hate. If you try to shut one of those off, you shut them all off. I don't want to be happy. I know I won't live happily ever after. I want more than that, something richer. I want to go right up close to the beauty and the ugliness. I want to see it all, know it all, understand it all. The richness and the powerty, the joy and the cruelty, the sweetness and the sadness. That's the best way I can honour my friends who died.
I sort of watched everyone go through it on that show ["Grey's Anatomy" ] because I came on later in the first season, so I kind of watched everyone else go through it but really I am so grateful and blessed and feel I have had such a great career and I love that fans love the shows that I do, and so when I get approached I still, I go, "Oh, thank you. That makes me feel good."
When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
I would rather die than ever see you suffering this way. I don't want you or any child I ever have or any woman I ever love to go through or feel what you're going through, but it's happened and I don't know what to do.
I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
Honestly, I want to make more music for the women. I rather have a show full of girls, but I still gotta talk about what I be personally going through, what I've gone through, and what the homies go through.
It's either, like, 'Your album was the first jazz album I listened to,' or, like, 'My friend took me to this show, and I've never been to a jazz show before, but, man, I'm so happy I came. I can't wait to go home and see more.' And you can feel it in the crowd, too. You can see the groups of people that don't really know what to expect.
You can go to see a singer and love the show, but you don't need to know all the songs. What you want to do when you leave is go and find out more about the music.
The one who decides who goes ahead has the upper hand, regardless of who gets to go. This is why many women do not feel empowered by such privileges as having doors held open for them. The advantage of going first through the door is less salient to them than the disadvantage of being granted the right to walk through a door by someone who is framed, by his magnanimous gesture, as the arbiter of the right-of-way.
I know that when a door closes, it can feel like all doors are closing. A rejection letter can feel like everyone will reject us. But a closed door leads to clarity. It's really an arrow. Because we cannot go through that door, we will go somewhere else. That somewhere else is your true life.
I feel an intense intimacy with those who have this loathing interest in me. Further than this, I know what they mean, I sympathize with them, I understand them. There should be a name (as poetic as love) for this relationship between loather and loathed; it is of the closest and more full of passion than incest.
These scars on my body,” Alexander declared, “were got for you, my brothers. Every wound, as you see, is in the front. Let that man stand forth from your ranks who has bled more than I, or endured more than I for your sake. Show him to me, and I will yield to your weariness and go home.” Not a man came forward. Instead, a great cheer arose from the army. The men begged their king to forgive them for their want of spirit and pleaded with him only to lead them forward.
I have friends who will say, "Oh you gotta come and see our show." And the first thing I say is, "Is it sketch or improv?" I'll go in a minute to see a sketch show. I love sketch; it's my favorite form. But if it's all improv, they're either very good and it's annoying how good they are and it makes you feel bad, or they're not too good then you're sweating for them. And you don't want to sweat for them, see actors repeating each other's lines.
I try to make movies that I would want to go see rather than ones I would just want to do as an actor. I want people to have movies full of romance and hope and empowerment, something they can escape into and feel good about. I love happy endings.
The people we love are usually stronger than we give them credit for. It is the nature of love, perhaps, to want to shoulder all the pain rather than see the loved one suffer. But sometimes pain is better than emptiness. I have been so empty Kit. All my life. So full of emptiness. That is strange paradox is nit not - full of emptiness?
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